高中联考失手的小爱被妈妈安排升读名校「一女中」的夜校部,但即使与日校生共享课室和书桌,成绩上的差距却总让小爱心存距离感,自卑感油然而生。幸好共享书桌的「桌友」敏敏没有因此嫌弃,两人更成为好友,甚至一同喜欢上隔壁学校的资优男生卢克。为了方便走堂,两人经常互换校服,但小爱渐渐舍不得日校生的制服光环,更使用冒牌的一女中身份,瞒着敏敏接近卢克,巨大的谎言坑洞最终变得一发不可收拾。《最乖巧的杀人犯》导演庄景[展开全部]
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Liz and her daughter Amy move to Hamelin where a dark secret in Liz's past is uncovered by the restless spirit of the Pied Piper, who seeks out those who have gotten away with a crime, and punishes them by taking away their children.
辽阔的西部草原住着一位父亲和他的三个儿子——父亲是退了休的骑兵上校,三个儿子个性鲜明:大儿子艾尔弗莱德(艾丹•奎因 Aidan Quinn 饰)忠厚老实,二儿子特里斯坦(布拉德•皮特 Brad Pitt 饰)狂放不羁,最小的儿子塞缪尔(亨瑞•托马斯Henry Thomas饰)温文尔雅。
父子在大草原的生活随着塞缪尔未婚妻苏珊娜(朱莉娅•奥蒙德 Julia Ormond 饰)的到来而改变。苏珊娜年轻漂亮,给艾尔弗莱德带来了内心的震动。他暗恋她,然而苏珊娜心里却不由自主的迷恋上豪放粗犷的特里斯坦。出于道德的坚守,他们一直压抑着内心的感情。
直到塞缪尔壮烈牺牲在前线,事情有了变化。特里斯坦非常爱戴哥哥,无法面对已经爱上苏珊娜的现实,于是离家出走。而苏珊娜万念俱灰,答应嫁给了艾尔弗莱德,而特里斯坦在草原之外也已结婚生子。事情好像趋于了平静,但特里斯坦妻子的亡故又令事情有了波澜。
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
Two great friends are reunited after five years. Among so many things that have changed, the resumption of connection awakens an old feeling for which they remain unprepared.
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更多Liz and her daughter Amy move to Hamelin where a dark secret in Liz's past is uncovered by the restless spirit of the Pied Piper, who seeks out those who have gotten away with a crime, and punishes them by taking away their children.
辽阔的西部草原住着一位父亲和他的三个儿子——父亲是退了休的骑兵上校,三个儿子个性鲜明:大儿子艾尔弗莱德(艾丹•奎因 Aidan Quinn 饰)忠厚老实,二儿子特里斯坦(布拉德•皮特 Brad Pitt 饰)狂放不羁,最小的儿子塞缪尔(亨瑞•托马斯Henry Thomas饰)温文尔雅。
父子在大草原的生活随着塞缪尔未婚妻苏珊娜(朱莉娅•奥蒙德 Julia Ormond 饰)的到来而改变。苏珊娜年轻漂亮,给艾尔弗莱德带来了内心的震动。他暗恋她,然而苏珊娜心里却不由自主的迷恋上豪放粗犷的特里斯坦。出于道德的坚守,他们一直压抑着内心的感情。
直到塞缪尔壮烈牺牲在前线,事情有了变化。特里斯坦非常爱戴哥哥,无法面对已经爱上苏珊娜的现实,于是离家出走。而苏珊娜万念俱灰,答应嫁给了艾尔弗莱德,而特里斯坦在草原之外也已结婚生子。事情好像趋于了平静,但特里斯坦妻子的亡故又令事情有了波澜。
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
Two great friends are reunited after five years. Among so many things that have changed, the resumption of connection awakens an old feeling for which they remain unprepared.
