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Season 4 will pick up a full year after the events of Season 3, and business couldn’t be better at the Wild/Reid Detective Agency as Harry and Fergus welcome an unexpected client: Charlie Wild.
Elsewhere, Harry is hired by a friend and former wild child turned nun; Lola stumbles upon a dance school myster; a Dublin literary tour takes a bloody turn; and Fergus’ hopes of going to college at the same time as Lola are threatened when she gets an incredible offer to study abroad.
Every Thursday. 9pm. Tom and Evie watch a film together in her garage. Evie lovingly decorates the space to match the film of the week - from a yellow brick road for The Wizard of Oz to a space craft for Alien. It's magical. They’re there for the love of the movies. Or at least, that’s what they tell themselves.
In reality, Tom is madly in love with Evie. What he doesn’t know is that Evie is in love with him too. But when Tom accepts a job at the other end of the country, their happily ever after comes under threat. He's leaving in six weeks. That means Evie has six film clubs left to tell Tom how she feels, or risk losing him forever.
Evie is going to have to navigate all of this amongst the chaos of her family home – her eccentric and unconventional mother, Suz, and her younger sister Izzy. A trio of women full of love, and dysfunction, in equal measure.
A piercingly funny and utterly heart-warming screenwriting debut from two of Britain’s most exciting voices.
Set in 1972, the series follows the first Black female FBI agent (Rachel Hilson) as she heads to the Southwest and recruits a gutsy get away driver (Josh Holloway) in a bold effort to take down a growing crime syndicate (led by Keith David). But as is often the case with projects that Abrams has worked on, things aren’t quite as straightforward as they might initially seem.
John is a repressed man who is shocked to find himself in middle age, secretly raging at his life as a stay-at-home dad. When his failure to intervene in a violent confrontation in a playground brings his identity crisis to a head, John ups and moves his family to the rural idyll of Coldwater, as far away from London as possible. Upon arrival, John is quickly befriended by next-door neighbour Tommy, a charming, confident man, devoted husband to the local vicar Rebecca. He is a man of faith, a pillar of the community and self-appointed leader of the village’s all-male book group. John is both impressed and slightly fascinated by Tommy. His wife Fiona despises him. As a successful former chef hoping to launch a new venture in Coldwater, Fiona sees the move as an opportunity to leave the past behind them. To not only re-build their lives as a family but re-ignite the long-lost spark in their fading marriage. When her husband’s relationship with their enigmatic new neighbour becomes increasingly intense, Fiona’s suspicions are aroused. She is unconvinced Tommy is all he seems to be. But John remains blissfully unaware that Tommy is harbouring horrifying secrets, and it’s only after a series of unsettling incidents start to occur that John begins to wonder who the real Tommy actually is. And when John’s long-repressed rage comes to a head with disastrous results, he soon finds himself unexpectedly indebted to his new friend. This is the story of a normal man, in a normal marriage, who finds himself in a far from normal situation. A man who discovers a newfound sense of his own power, right at the moment he falls under the influence of someone incredibly dangerous.
