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入围华沙电影节前两部竞赛。
Rebellious teenager Natsumi arrives from Tokyo on a small provincial island in search of the treasure left by her deceased mother. She’s in shock to find out that Reiko – her aunt – is a local Ama-San, a traditional Japanese pearl diver. Reiko is her mother’s identical twin sister. Because of the yearslong conflict between the sisters, the aunt and the girl have never met or even heard about each other till now. The aunt is reluctant to welcome the girl, who reminds her of her bitter past, and wants to get rid of her. Natsumi has to find a way to resolve the old conflict and reunite the family to find the underwater treasure left by her mother and save herself from the big trouble she is in. Japanese 1990s pop songs from the aunt’s youth will be an unexpected ally.
沈青怀着孕,压力很大。 她照顾着意外怀孕的学生和患有脑瘫的叔叔,后者有被赶出疗养院的危险。 成本不断增加,时间紧迫,但她和丈夫勉强承受。 当她收到自己的孩子有70%的几率先天残疾的消息时,她的婚姻陷入危机,沈青和她的丈夫为残疾胎儿的命运争论不休,而这个未出生的灵魂却同情地观察着一切。
周洲导演凭借池韵的强势主演和脑瘫患者的参与,讲述了一个女人在一个对残疾人抱有偏见的世界里遵循自己道德的悲痛故事。 ——贾森·马赫(摘自大阪亚洲电影节官网)
Qing Chen is carrying a child and a lot of pressure. She is looking after a student who has had an unplanned pregnancy and an uncle with cerebral palsy who is at risk of being kicked out of a nursing home. Costs are mounting and time is short but she and her husband are getting by, just about. When she receives news that her baby has a 70% chance of being born disabled, it ignites a crisis in her marriage as Qing Chen and her husband argue over the fate of their unborn baby who is observing everything sympathetically.With a powerful leading performance by Chi Yun and the participation of people with cerebral palsy, director ZHOU Zhou gives a harrowing look at a woman following her own morality in a world where some hold prejudice against the disabled. [Jason MAHER]
Camellia are beautiful flowers that represent love and loyalty, two qualities that are in short supply in the Ly family. In the gorgeous camellia flower gardens of their beautiful palace, conflicts involving love, loyalty, and honour surround three fabulously wealthy sisters who each hide secret schemes and a desperate desire for love. Eldest sibling Ly Le Han (Le Khanh), a cunning manipulator, has roped melodramatic middle-sister Ly Le Hong (Kaity NGUYEN) into an antique auction fraud but that comes under threat when strong-willed youngest sister Ly Linh (Hong Van) tries to steal a royal robe to further her own career. On the night of the auction, the treasure suddenly disappears and this causes drama for… THE CAMELLIA SISTERS.
2021年,经历了一年的封控后,一群学生踏上了前往马略卡岛的毕业旅行。这个完美计划本该弥补失去的时光,带来前所未有的狂欢。然而新冠疫情的突然爆发打乱了所有安排,他们被迫隔离在酒店。50多名学生,一家酒店,仅有的两名老师,以及数不清的迷你酒吧。还能出什么乱子呢?
繁忙的西雅圖,多組男女的人生在一連串巧合下交會。英挺的律師搭車出差,車上意外擠進一對急奔醫院臨盆的夫妻,忙亂下律師出手相助,也和護理師一見鍾情。但急診門內,命運卻捉弄了那對新手爸媽。和熱門導演分手多年的女明星,兩人在新片開拍記者會上尷尬重逢。愛直播惡搞的少年,在女友的鐵漢叔叔眼中始終不及格。成長的挑戰、公眾形象與私生活的張力,甚至婚姻的掙扎,都不免伴隨遺憾失落。然而人生關卡前,他們該決心割捨,或者篤信前方值得的等待?
導演林書宇生涯首部英語電影,更有《美國女孩》林嘉欣赴美與《玩命關頭》姜成鎬等多位好萊塢一線亞裔演員合作,打造美式浪漫喜劇,以多線敘事勾勒當代生活的機遇與期待,情節中亦融入許多亞裔家庭生活經驗,譜下歌頌夢想與愛情的勵志生命樂章。
「幼い頃からの夢」と「愛する人との未来」と。その狭間で悩み、夢の実現を選択したひとりのピアニスト・里香(松下奈緒)。しかし、愛する人と別れてまで夢を追いかけた彼女の前に立ちはだかったのは、「命の期限」だった。
愛する人が愛する街で最後の時間を過ごすために美作の地に降り立った里香が、そこで出会ったのは、まぶしい感性と可能性を秘めながらもまだ自分のそれに気づかずにいる 20 歳の青年だった。
その青年は代々お茶栽培と老舗の茶葉屋を営む茶農家の次男。家業を継いでいる兄とは違い、進学するわけでもなく、家業を手伝うわけでもなく、人生を懸けて打ち込めるものを心の奥底で必死に模索していた。
命の終わりを悟った女性と大人へと成長する中で悩む青年。
大地に広がるのは、命の芽吹き、生命の躍動を感じる、燃えるような緑を讃えた茶畑。里香、青年、そして青年の兄の3人の揺れる心模様を軸に、それぞれの場所での生き方の岐路に立つ登場人物たちが、「自分らしく生きる」こととは何なのかを問いかける恋愛群像劇。
自风都塔建立30年以来,风都的和平持续了相当长一段时间。但是就在这个夏天,这座平静的城市再起波澜。一群本应死亡的Dopont突然出现在街头,对周遭进行大肆破坏。左翔太郎(桐山漣 饰)和飞利浦(菅田将暉 饰)合体变身为假面骑士W,风都警署警官照井龙(木ノ本嶺浩 饰)则化身假面骑士阿克塞尔,与入侵的Dopont进行殊死搏斗。在国际特务调查机关员玛丽亚•S•克兰贝蒂(杉本彩 饰)的协助下,正义战士们击退了入侵者,却发现他们原本都是佩戴了盖亚记忆体的普通市民。从玛丽亚的口中得知,国际重犯大道克己(松岡充 饰)及其邪恶组织“Never”的成员们劫持了编号A~Z的26个盖亚记忆体,他们更阴谋占领风都。
一场激烈的正邪战争即将展开……
A Japanese salaryman goes on an unwitting journey of self-discovery when he takes a business trip from Tokyo to a Montana cattle ranch.
《坠落》讲述了一位在苏格兰一个庞大的物流中心工作的葡萄牙仓库搬运工奥罗拉的故事。她被困在工作场所的狭小空间和公寓的孤独之中,试图抵抗孤独、疏离以及随之而来的闲聊,这些都开始威胁到她的自我认知。在这种由算法驱动的零工经济的背景下,这种经济旨在将我们分开,《坠落》探讨了人们在沉默中为寻找意义和联系而进行的顽强斗争。
When talking about Louis XVI and his wife Marie Antoinette, what immediately comes to mind are lace, tall wigs, flamboyant clothes and colours, Versailles, or… the guillotine. Here, between these two extremes, exists a middle ground, a period of time seldom explored: the few months when the last king and queen of France were imprisoned, with their two young children, in a black castle on the outskirts of Paris, awaiting their executions. A brief and condensed period where, amidst violence and harassment, all masks fell off: those of two royals, as public and private figures; that of the old regime; that of a History that finally turned the page; and that of God who, from then on, was eclipsed by the shadows, leaving man entirely alone.
