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More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang
影片改编自井上佐藤的同名漫画，以两个全心钻研舞蹈的男人为主角，描绘他们的热情、苦恼、嫉妒与爱。
铃木信也（竹内凉真 饰）是日本拉丁舞冠军；有“帝王”之称的杉木信也（町田启太 饰）则是日本国标舞冠军，世界排名第二。有一天，杉木出现在铃木面前，邀他一同参与“10项舞蹈锦标赛”，该赛事要 求参赛者精通5种拉丁舞及5种国标舞，总共10项舞科，且全部赛程要在一天之内完成，是对体力与意志力的终极考验。于是，铃木和杉木分别与搭档田鸠亚季（土居志央梨 饰）及矢上房子 （石井杏奈 饰）在杉木舞蹈教室展开特训。这两个男人生活方式与性格截然不同，因此冲突不断，不过，随着他们逐渐理解对方的舞风，内心也慢慢朝着彼此靠近。
