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宋真宗晚年,青春年少的包拯和好友公孙策,一同破获一起尘封多年冤案。女主角月亮十多年前,全家被奸人所害,为了翻案,打听到传闻中阴阳镜能断是非真假,于是去墓地盗取,结果触碰机关导致展昭被困,为了将其解救,必须破解地穴里的各种机关算术。一筹莫展的月亮刚好遇到聪慧过人的包拯,巧设伎俩利用鬼怪传说,想引包拯去地穴救展昭。但包拯心中秉持正义、公平,从不相信鬼怪传说,救出展昭后,月亮拿到阴阳镜后,坦白自己一家遭奸人所害的事实,凶手还在逍遥法外。为了翻案包拯,利用阴阳镜的传说,使得案件重演,凶手心绪恐惧坦白从宽,认罪伏法。从此,年少的包拯一举成名,所代表的公平、公正和正义的形象,慢慢被民众熟知,被民众所拥戴。
美国80年代,看似慈祥的“奶奶”多萝西娅·普恩特,以寄宿公寓为诱饵,下药、杀害、掩埋数十位弱势老年与残疾租客,将花园变成埋尸地。狱中濒死的她,回溯自己从受虐者到连环杀手的黑暗一生,用温柔表象包裹极致贪婪与残忍。
上世纪90年代中国东北,范老四为给儿子换取国企编制,竟将二婚妻子秀莲当作“筹码”送入老干部家。当算计撞上贪欲,平日里低头喂猪毫无家庭地位的“保姆”秀莲,在这场利益博弈中成为待宰的羔羊,棋局终了,谁才是真正的赢家?
刚离婚、戒酒的中年母亲劳伦,为重启人生报名了人生第一堂表演课,还和年轻的搭档肖恩谈起了姐弟恋。两人一同参加 Z 世代同学的婚礼,劳伦为融入年轻人彻底放飞,活成了疯癫的25岁伴娘,经历了一场混乱尴尬的婚礼闹剧。在失控的狂欢后,劳伦直面中年困境与真实需求,最终迎来全新的人生起点,也意外收获了真挚的情感联结。
来自西域的舞姬阿离三年前惨死客乡,身首异处,她的妹妹阿月来到事发的客栈,联合戏法师李久成和县令张承合谋演了一出大戏,将三年前涉及此事的相关人等都聚于一堂,巧设妙计让当年害死姐姐的凶手互相指证现形,最终查明了姐姐死去的真相,洗去了污名并昭雪报仇。
故事围绕墨西哥特种部队精英卡洛斯(绰号“公牛”)展开,他在一次任务中成功抓获了犯罪集团头目,却因此遭到报复,妻子在他面前被残忍杀害,自己也沦为通缉犯。走投无路之际,他意外中了彩票头奖,一夜之间拥有了复仇的资本。他与挚友、战友米格尔联手,将全部财富转化为武器和情报,从被通缉的逃犯,变成了以暴制暴的“复仇猎人”,目标是让所有参与杀害他妻子的人,付出最惨痛的代价。
Method Acting is a film that deliberately aims to be funny, and its deadpan approach makes it even more amusing and poignant. The star in this remarkable comic film is, ironically, Actor Lee Donghwi (played by himself), who hates comic acting. Despite his efforts to reinvent himself, opportunities seem elusive, and he finds himself increasingly despondent. Unexpectedly, he receives a surprising offer to play a king in a traditional costume drama. Determined to perfect his portrayal of this majestic royal character, Donghwi dives into method acting. However, things quickly become unconventional in this historical drama. Method Acting skillfully balances the chaotic filming environment with family narratives, portraying the characters’ struggles while handling inventive elements with seamless precision, resulting in an outstanding comedy. Above all, the actors’ performances, which reach a level of trance, are truly exceptional.
A ship explodes. A man dies. A man disappears without a trace. Is it an accident or a cover-up for something darker? Documentary filmmaker Nerijus Milerius (“Exemplary Behaviour”) invited his former student Lina Lūžytė (“Together Forever”, “The Castle”) to direct this Lithuanian psychological thriller while investigating Japanese disappearances. Genius cinematographer Vytautas Katkus (worked on Locarno winner “Toxic”) captures the dark subject matter perfectly, jumping between moving cars and shooting in time-lapse. Actress Žygimantė Jakštaitė (“Runner”) plays Lina, a Vilnius morgue medic who becomes fascinated by the mysterious disappearance of a sailor named Vilkas (Wolf). Her obsession leads her to eerie places and disturbing encounters. The clock is ticking as Lina searches for the lost man.
