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Czech actor-turned-director Jiří Mádl has wrapped shooting on his third fiction feature, Waves, which centres on the turbulent period of the Warsaw Pact invasion, a seminal moment in modern Czechoslovak history. The period drama is inspired by real-life correspondents from the Czechoslovak Radio International Bureau during the late 1960s. The film, set against the tumultuous backdrop of the Prague Spring and the 1968 invasion, tells the story of two brothers navigating the challenges of the period. The protagonists are Tomáš and his younger sibling, who find themselves in the midst of the 1968 May Day Parade outside the Czech Radio building, where the film crew has been shooting some scenes. The foreign radio department was known for independent news reporting despite the prevalent censorship. However, the blossoming of the communist regime will soon be abruptly halted by the Warsaw Pact tanks.
在一个深夜里,雷努卡(Renuka)刺死一名警察后逃离德里一家妓院。 她在印度北部的一个性工作者社区避难,在那里她遇到了德维卡(Devika),一个被迫卖淫的年轻女孩。
她们的羁绊发展成了一段禁忌的恋情,一同被迫踏上了逃脱法律与开辟自由之路的危险旅程。
1930 年代,殖民统治之下的哈萨克斯坦发生人为大饥荒,掘墓人伊萨泰每天把新的男女老少的尸体带到万人坑——一个巨大的、裂开的地洞。村长希望从萨尔坎德那里得到一些食物,派伊萨泰去传达信息。为了保护自己的弟弟,他决定带弟弟一起上路。无尽的草原变成了一场循环往复的噩梦,荒芜的空间和无尽的饥饿,逐渐主导伊萨泰的思想。这既是一次身体之旅,也是一次精神冒险,伊萨泰开始产生幻觉,他遇到了民间传说里的人物,面临艰难的选择,他的选择,可能会决定整个村庄的命运。
The film tells the story of Martha Hoffman, an eccentric and wealthy patron who is committed to a psychiatric clinic by her daughters. The expert witness Casares investigates whether this is a scheme to control their mother’s fortune or if Martha truly suffers from a form of dementia that endangers her well-being and that of her family.
Martinez, a lonely accountant who really prizes his daily monotony, is pushed by his hierarchy to retire. While his life stability is threatened, his neighbor, a woman of his age, is found dead in her home after several days. Although he has never met her, her death will make him realize that his life is still ahead of him.
A friendly android travels back in time to our present day and observes its human customs. Its wanderings spark some delightful conversations with its fellow machines. In search of a king from whom to extract valuable data, its system runs up against repression. This lively story takes us on a political journey of reflection on the environment and technology.
找到被冻在冰雪中的现金的学生,带着迷茫游客的导游,辞职后去看望母亲的男人,三条故事线交织,身份变得模糊。
影片使用波斯语和法语,曾入围2024年戛纳导演双周并斩获观众选择奖。
Alice is a famous youtuber who lives for her channel. Until one day, while preparing for an important live, she runs into a powerful virus and gets sucked into her computer. To get back home, Alice will have to face the Queen of the Bots who is determined to keep her forever in the digital world
丽贝卡是一位艺术高超的年轻治疗师,她的名声吸引了大批人群来到她父亲劳伦斯·伯恩位于亚马逊雨林深处的传教所。随着邻近原住民部落与非法侵入他们领地的伐木者之间矛盾的升级,丽贝卡和她的父亲被卷入了一场不断升级的冲突中。一连串的事件让丽贝卡开始回想自己的过去。当怀疑开始侵蚀丽贝卡和她父亲之间的关系时,父女俩意识到,如果不面对自己的心魔,他们是无法宣扬和平的。
一对即将分离的情侣彼此取暖;一位老妇人沉浸在过往爱情岁月;一对玩伴畅想移民美国,成为职业棒球球员。在古巴内陆城市圣安东尼奥德洛斯巴尼奥斯,时间似乎停滞不前,三组人物构成的情感世界在这里流动、展开。意大利导演托马索·桑坦博吉奥在这部影片中倾诉自己对古巴社会中的爱情和离别的思考。影片中三组人物不仅是导演对过去(老妇人)、现在(恋人)、将来(玩伴)的真诚思考,同时也是他对古巴社会图景的再现。导演用海浪的声音凸显陆地与海洋的关系,并使用黑白影像来颠覆人们对五彩斑斓的古巴的认知。影片入围第80届威尼斯电影节“威尼斯日”平行单元。
夏日时光。一个三口之家,单身父亲巴比斯和他即将成年的双胞胎孩子康斯坦丁诺斯和艾尔莎,乘坐家庭小船前往波罗斯岛度假。在游泳、日光浴和结交新朋友的过程中,康斯坦丁诺斯和艾尔莎无意中遇到了他们的生母安娜,她在他们还是婴儿时就抛弃了他们。这次相遇将激起巴比斯心中长久以来的怨恨,为每个人带来一段苦乐参半的成长之旅。
In a Himalayan polyandrous village, pregnant PEMA faces scrutiny as her husband vanishes. With her monk brother-in-law, her de facto spouse, she seeks him in the wild, unraveling her own self-discovery along the journey
Repression and taboos have shaped the image of womanhood for Ana (68), Patricia (69) and Mayela (71). Their stories poetically combine to form a kaleidoscope of memories, secrets and longings that are incarnated by another woman’s body.
American sailor Dean Barry, 23 years old, lands in Naples in 1944. Dean develops feelings for native Lucia, with whom he has a son. Dean is compelled to leave them but finally returns to see his family again, in an changed city.
安吉拉是一位聋人,她与听觉正常的伴侣赫克托即将迎来他们的第一个孩子。然而,宝宝的到来却引发了一系列关系危机,迫使安吉拉直面在一个并不适合她的世界里抚养女儿的重重挑战。
An endearing stray dog embarks on an extraordinary journey, forging unlikely friendships and overcoming obstacles.
在阿富汗内战前的背景下,尽管苏莱娅(共产党人)和西玛(保守派)的生活选择截然不同,她们仍然保持着一生的友谊。当苏莱娅成为执政的共产党的一员时,西玛则参与了圣战组织以捍卫穆斯林的价值观。
亚当试图在波兰一个小镇上成为一个好丈夫和父亲。但亚当开始感到自己的身体越来越不舒服,因为这个身体并没有反映出他的真实身份。
Kaveh Tehrani's coming-of-age film is an adaptation of Gulraiz Sharif's 2020 novel, depicting the increasingly complex summer vacation of 15-year-old Mahmoud. Not only does a sociable uncle from Pakistan visit, but Mahmoud must also navigate the family crisis that unfolds when his little brother Ali has a secret that turns their whole world upside down.
It doesn't take long for the film to set the tone: The protagonist, Mahmoud, almost immediately breaks the fourth wall, seamlessly taking on the role of the narrator. The film doesn't look back: it brims with techniques and devices that inject energy into the narrative and provide a framework for the themes, taking us under the skin of what turns out to be a poignant, thought-provoking family drama – all wrapped in the attractive guise of comedy.
Questions about identity and belonging in Norwegian society (for both young and older characters) within a multicultural family from Oslo become the central driving force. The adaptation of Gulraiz Sharif's book is solidly directed by debut filmmaker Kaveh Tehrani. While the film aims to maintain its entertainment value, it also carries a sharp political edge – directed equally against society's rigid class structures and conservative family traditions. The talented child actors in the lead roles carry the heart of the film on their shoulders, ensuring that few leave the theater untouched in the end.
从少管所释放后,惠灵顿发现自己孤独无依地漂泊在圣保罗的街头,没有父母的任何联系,也没有重建生活的资源。在一次访问成人剧院的过程中,他遇到了罗纳尔多,一位成熟男士,后者教会了他新的生存方式。渐渐地,他们之间的关系转变成了一种充满矛盾的激情,这种关系在剥削与保护、嫉妒与共谋之间摇摆不定。
Five women are running an old hotel and trying to save it from inexorable decay. Guests arrive over the course of a weekend: a couple bears the wounds of a long-term misunderstanding; a domineering mother interferes in her daughter’s relationship; two girls try to save their own love story in the face of opposition from a possessive mother. Viver Mal is the reverse shot of Mal Viver, which is screening in the Competition: here, João Canijo reveals everything that was floating in the depth of field in this film’s mirror image. Reality becomes the intertwining and multiplication of different points of view; the intersection between what can be seen and what the eye misses. Like a play of light reflections, Viver Mal is Mal Viver in another dimension. The image is distorted, but at the same time seeks a new definition by relaunching itself into infinity.
本片讲述了一对父子之间朦胧迷离的感情。阿列克谢(阿里克谢·尼穆斯霍夫 Aleksei Nejmyshev 饰)的父亲(安德烈·薛提宁 Andrei Shchetinin 饰)是一个退伍军人,父子二人相依为命,父亲离不开儿子,儿子也非常依赖父亲。因为父亲的关系,阿列克 谢也进入了军校,他的父亲经常到军校探视他。某日,阿列克谢的女朋友来到军校向他提出分手,原因似乎就是她难以接受他们父子俩过于亲密的关系。阿列克谢常常做噩梦,醒来后他问母亲在哪里,父亲却无言以对。父亲表示,外地有一份更加高薪的工作等着他,但是父子二人谁也离不开谁。
他们是父子,有些时候他们像兄弟,有些时候他们像情人。但是他们心里都清楚,终有一天他们会分开,父子俩该何去何从……
