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Alone on Halloween| a young woman finds a mysterious VHS tape on her doorstep-a tape that shows a series of gruesome and ghastly tales that appear to be all too real. But these terrifying glimpses of damned souls are not the only horrors that stalk her. A sinister| pumpkin-faced killer is using the videotape as a portal into our reality; and if he makes it through| this twisted trickster seeks only one "treat": [email protected]
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
女舞者被斩首抛尸的案件早已传遍全国。五年过去了，案件杳无音讯，但女舞者的头颅至今下落不明。家庭破裂后，身为恐怖小说作家的娜娜急需一间廉价的出租房。正因如此，她租了一间廉价的房间，过去五年来，她带着孩子也一直住在那里。娜娜一直感到不安，房间里不断传来一个女人痛苦的哭喊声，她要求砍下自己的头颅，这提醒着她并非孤身一人。娜娜和其他任何进入房间的人都会被那些开始出现的鬼魂吓坏。附近房间里也有三个人长大，但他们死得非常惨。有些人撞到了大东西，有些人从楼梯上摔了下来。大多数死者都在监狱里。娜娜的视力越来越清晰，她能从头到脚看清那个女鬼的模样。因为娜娜的老板因为斩首案把她解雇了，她开始调查，并确定这里就是鬼魂的死处。娜娜想走却走不了。如果她找不到鬼魂的头，她的女儿就会被斩首。
年轻的亨利是杰西卡和迪伦生命中的光辉，但当杰西卡发现他的亲生父亲实际上是他们的生育医生贝拉米医生时，她与该医生的另一位客户联手，在他继续破坏之前将他绳之以法。家庭。
两名年轻女子在公路旅行中失踪，布雷特·奥谢警探接到任务，调查这起案件，因为女孩们的车被发现弃置一旁。然而，奥谢本人也失踪了，当地记者丽莎·谢弗开始深入调查，并很快发现了更多她意想不到的线索。—托尔·莫雷诺
“没有人、也没有任何地方能永远真实”，戈利亚尔达·萨皮恩扎（Goliarda Sapienza）在《怀疑的确定性》（Le certezze del dubbio）中写道。这部作品讲述了一位作家因一次疯狂而意外的行为入狱的故事。在罗马的雷比比亚监狱中，她与几名年轻囚犯相遇，这段经历成为她某种意义上的“重生”契机。出狱后，在罗马那个仿佛时间停滞的酷热夏日里，她继续与那些曾建立深厚羁绊、如今同样重获自由的女性们会面。一种深刻的关系由此展开，并对她的生活产生了决定性影响——这种纯粹的情感联结，是外界永远无法理解的。这位作家正是戈利亚尔达·萨皮恩扎本人，而这是她亲口讲述的、属于她的故事。
改编自同名网络漫画的电影《我的僵尸女儿》官宣选角阵容。将由曹政奭、李姃垠、曹汝贞、尹敬浩和崔惟理主演。
《我的僵尸女儿》是由李胤昌於2018年在Naver网漫平台连载的作品，讲述了为了保护被僵尸病毒感染的女儿，父亲带著她逃到农村母亲的家中，展开了一段艰苦奋斗的故事。 作品将僵尸和家庭两个主题相结合，不仅揭示了当代社会充斥的仇恨和冲突，还关注了家庭之间的爱与亲情，因此在连载期间广受欢迎。
曹政奭饰演努力让僵尸女儿重新变回人类的“糊涂爸爸”李正桓。奶奶“金凡顺”由实力派演员李姃垠饰演，扮演僵尸女儿“李秀娥”则是崔惟理。 曹汝贞扮演李正桓初恋，尹敬浩则饰演李正桓的幼时好友。
电影版将延续电视剧剧情，阐述苏家婆婆彩香（钟欣凌饰）在摆脱传统家庭观念的束缚之后，果断展开全新的人生，火寮一哥（许杰辉饰）也为了追求彩香使出浑身解术，但彩香却将重心放在“追星”上，苏家子女们纷纷傻眼，自己的妈妈竟然抛家弃子去跟风追星，还追星追到把明星搞丢而卷入这起明星失踪案，连警察都来关切，苏家再次受到全台的关注议论。
备受关注的小鸥（黄姵嘉饰）和发贵（张书伟饰）“鸥贵CP”，两人的恋情也将在电影版中历经波折，是否有机会能往下发展？秉仁（杨铭威饰）在病愈后和大美（林筳谕饰）的感情进度也可在电影版中一探究竟。
《我的婆婆怎么把OO搞丢了》预计将于2023年农历新年档期上映。
The lives of two lesbian couples intersect in the oppressive urban corridors of Tokyo when one of the partners enlists the services of another to document her suicide in a defiant act against physical and mental breakdown. Anonymous Gods, structured in the form of an adult fairy-tale, raises questions about the nature of art, sexuality, family, and dysfunctional relationships in a social-media driven landscape.—SJM
三个浪漫功能失调的姐妹试图驾驭她们母亲的第三次婚礼：三姐妹回到她们童年的家度过了一个重要的周末——两次丧偶的母亲戴安娜(托马斯)将举办第三次婚礼。这三个女儿来自截然不同的行业：乔治娜（艾米丽·比查姆 Emily Beecham 饰）是一名保守的护士，维多利亚（西耶娜·米勒 Sienna Miller 饰）是好莱坞明星，凯瑟琳（斯嘉丽·约翰逊 Scarlett Johansson 饰）是皇家海军上尉 。周末，一家人聚在一起庆祝新婚，但在一群意想不到的婚礼宾客的协助下，母女们都被迫重新审视过去并面对未来。
十六岁的伊华，跟她的猫一样躁动抓狂。她愈来愈受不了同住的母亲和妹妹，更想亲近已分居的父亲。然而她的艺术家父亲经常情绪失控，伤己也伤人。成长刺痛，性欲涌动，早熟且敏感的她，发现身边的成年人都不可依靠，只能靠自己横冲直撞，体验青春的暴烈与温柔。生于哥斯达黎加的新锐导演华伦天娜莫雷尔，首部长片细腻描写少女的焦躁不安、狂野叛逆，以及既亲密又冲突的父女关系。洛迦诺电影节惊艳之作，囊括最佳导演及男、女主角三项大奖。
Larry the Cable Guy shares his hilarious takes on raising kids, getting older, and the ridiculous situations we face in today's world.
Nothing is more frightening, as the narrator points out, than a ‘time-rich nosy person’. Exhibit A is Ahn Geo-ul (Gyeong Su-jin), who commits herself to social justice causes with terrifying tenacity. After temporarily renting a unit in the Baek-sae Apartment building, she discovers that a loud, hard to locate banging noise occurs from 4am every night, making the residents’ lives an insomniac hell – and so she determines to engage in her own disruption and to find the culprit of this acoustic assault, simultaneously eliminating her eccentric neighbours as suspects, and recruiting them to her cause.
Focusing on a woman who is an unstoppable force for good, it is also a plea for community cohesion and solidarity.
影片在希伯来语片名"Kirot"是“墙”的意思，意指片中两位女主人公从素不相识，隔墙交流，直至最终走到一起，一个要摆脱当地黑帮的控制、去俄罗斯与小女儿团聚，一个为了反抗有严重虐待倾向的丈夫，两个女人为理想和生存而战，俨然一部新版《末路狂花》。
幕后制作
影片由以色列、法国、美国合拍，片中对白以英语为主，还有希伯来语和俄语。执导本片的是以色列导演丹尼·勒纳，毕业于特拉维夫大学电影系的他曾在2005年拍摄了处女作《梦魇》，其作品充满复杂的社会元素及深层的心理描写，成为以色列新生代导演中的佼佼者，并在国际影坛暂露头角，《危墙》是他的第二部电影。
若然未报，时辰未到，报应始终会来。
五名好友因一时疏忽造成了一起严重车祸，他们决定一起毁尸灭迹掩盖真相。一年后，一个知晓该事件的神秘杀手在暗处伺机夺取他们的生命，而他们发现相似的事件曾在数年前发生过，他们决定向当时的两位幸存者 (詹妮弗·洛芙·休伊特、小弗雷迪·普林兹 饰) 求助。
Pietro is a middle-aged man with a great pain behind him: the death of his wife which left him alone with their daughter. He didn't have time to grieve because he had to take care of her, raising her with love and dedication in an all-encompassing relationship.
When, after a few years, he tries to start a new life with a new partner, his daughter's reaction will be explosive and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct: how much can he forgive her? How much stronger is love than reason?
Corsica, 1995. It’s Lesia’s first summer as a teenager. One day a man bursts into her life and takes her to an isolated villa where she finds her father, in hiding, surrounded by his clan. An underworld war erupts. The noose is tightening around them. Death strikes. Forced to go on the run, father and daughter will learn to face one another, to understand and love each other…
