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In a Himalayan polyandrous village, pregnant PEMA faces scrutiny as her husband vanishes. With her monk brother-in-law, her de facto spouse, she seeks him in the wild, unraveling her own self-discovery along the journey
少年管教中心最臭名昭著的捣蛋鬼贾布意外地被选为雪雕队的队长,然而他的每一步都在机智而富有手腕的老师克鲁·冲的注视下。他们的任务是赢得一场国际雪雕比赛 — 尽管他们来自一个从未下过雪的国家。乍一看,这个想法似乎不可能实现。对于一群所谓的“问题儿童”来说,前方的道路更加艰难。他们必须忍受艰苦的训练,承受那些质疑他们的嘲笑,并克服队内的冲突。更具有挑战性的是,他们的家人几乎没有给予任何支持,而家人往往也是造成他们困境的根源。但这也许是他们最后一次证明自己有资格在这个世界上存在的机会。有人相信他们。也许最重要的是,他们可以再次学会相信自己。
影片根据马塞洛·鲁本斯·派瓦撰写的同名回忆录改编,讲述了20世纪70年代初的巴西,一位母亲的家庭生活因一次偶然的暴力事件而支离破碎,她被迫重新塑造自己。
该片入围2024年威尼斯电影节主竞赛单元,并斩获最佳编剧奖。
During one fatal afternoon in an empty elementary school the two mothers of Armand (6) and Jon (6) get into a desperate fight to be believed when one son is accused of crossing boundaries against the other. All means are used, and soon a blend of madness, desire and obsession arises. Where the truth lies is impossible to know, and soon everything evolves less and less around the children, who we never meet, and more about the adults.
Yura, working at a local nature museum, looking for a rare species, witnesses an arson in the forest. He brings the photos to a local newspaper, and gets a job there. With his new profession it dawns to him that the reality around him is a far cry from what is written in the newspaper.
Everything happens very fast in Lima in the summer of 1992. In the midst of Peru’s social and political chaos, Lucia, Aurora and their mother Elena are preparing to emigrate to the USA. They are apprehensive about saying goodbye to their country, family and friends, but above all to Carlos, the father and ex-husband who has all but disappeared from their lives. Facing the uncertainty of their future head on awakens contradictory feelings, reviving old regrets and generating new illusions. Frustrations and fears mix with excitement and expectation. Together, the family must confront the difficult truth about the losses that this departure implies.
亚当试图在波兰一个小镇上成为一个好丈夫和父亲。但亚当开始感到自己的身体越来越不舒服,因为这个身体并没有反映出他的真实身份。
A friendly android travels back in time to our present day and observes its human customs. Its wanderings spark some delightful conversations with its fellow machines. In search of a king from whom to extract valuable data, its system runs up against repression. This lively story takes us on a political journey of reflection on the environment and technology.
故事发生在里海沿岸,年轻的阿米尔与娜吉斯深爱着彼此。然而,在当今的伊朗社会,仅仅拥有爱情远不足以共筑未来的生活,因此他们隐瞒了相爱的事实。阿米尔背负着巨大的压力,为了得到女友“上流”家庭的认可,他急需一大笔钱作为丰厚的彩礼。无奈之下,阿米尔在渔场里做了一名渔夫,而他也因此卷入了危险却暴利的鱼子酱走私勾当。阿米尔在其中越陷越深,而另一旁,娜吉斯却一直在拖延时间,意图拖延父母给她安排的婚事。在今日仍旧恪守成规、腐败横行、阶级固化的伊朗社会中,他们的爱情、希望与梦想能否找到一条出路?
Anna, in her late twenties, feels like her life is slipping through her fingers. A ticket to a prestigious music school in Paris might be the perfect last chance to pursue her dream career in piano. Success no longer seems so elusive unless her manipulative, self-destructive alcoholic father stands in her way.
This romantic dramedy highlights the relationship between Ace, the influential Mendoza family's perfect son, and Gio, a gay porn content creator and sex worker. While they see themselves an ideal match, the uptight Mendoza matriarch Angelica doesn't seem to think so.
一对即将分离的情侣彼此取暖;一位老妇人沉浸在过往爱情岁月;一对玩伴畅想移民美国,成为职业棒球球员。在古巴内陆城市圣安东尼奥德洛斯巴尼奥斯,时间似乎停滞不前,三组人物构成的情感世界在这里流动、展开。意大利导演托马索·桑坦博吉奥在这部影片中倾诉自己对古巴社会中的爱情和离别的思考。影片中三组人物不仅是导演对过去(老妇人)、现在(恋人)、将来(玩伴)的真诚思考,同时也是他对古巴社会图景的再现。导演用海浪的声音凸显陆地与海洋的关系,并使用黑白影像来颠覆人们对五彩斑斓的古巴的认知。影片入围第80届威尼斯电影节“威尼斯日”平行单元。
夏日时光。一个三口之家,单身父亲巴比斯和他即将成年的双胞胎孩子康斯坦丁诺斯和艾尔莎,乘坐家庭小船前往波罗斯岛度假。在游泳、日光浴和结交新朋友的过程中,康斯坦丁诺斯和艾尔莎无意中遇到了他们的生母安娜,她在他们还是婴儿时就抛弃了他们。这次相遇将激起巴比斯心中长久以来的怨恨,为每个人带来一段苦乐参半的成长之旅。
In a tiny rural village in Argentina, Rita Lopez, a pious yet insatiably competitive woman, discovers that staging a miracle could be her ticket to sainthood.
意大利资深导演乔治奥·迪里蒂继传记片《我想藏起来》入围柏林国际电影节主竞赛单元后,其新作《卢博》又入围威尼斯国际电影节主竞赛单元。影片主人公卢博以街头卖艺为生,他是游牧民族的成员。1939年,卢博加入瑞士军队服兵役保卫边境,但随后他的孩子们却被带走接受国家“再教育计划”,卢博意识到只有找回孩子才能获得真正的平静……影片以漫长的冒险旅程和大量细节揭示了主人公追索自由之艰辛。
Czech actor-turned-director Jiří Mádl has wrapped shooting on his third fiction feature, Waves, which centres on the turbulent period of the Warsaw Pact invasion, a seminal moment in modern Czechoslovak history. The period drama is inspired by real-life correspondents from the Czechoslovak Radio International Bureau during the late 1960s. The film, set against the tumultuous backdrop of the Prague Spring and the 1968 invasion, tells the story of two brothers navigating the challenges of the period. The protagonists are Tomáš and his younger sibling, who find themselves in the midst of the 1968 May Day Parade outside the Czech Radio building, where the film crew has been shooting some scenes. The foreign radio department was known for independent news reporting despite the prevalent censorship. However, the blossoming of the communist regime will soon be abruptly halted by the Warsaw Pact tanks.
九十年代的沙特阿拉伯因早年的政治变革社会风气日趋保守,任何形式的艺术创作都被视为异端,女性外出亦须穿着全黑头巾及罩布,只能露出一双眼睛。正值花样年华的Norah生在偏远村落,从小就向往大城市的多姿多采,不甘只作传统女性一辈子在家相夫教子,但三姑六婆为她安排的婚期已推无可推。有日村上来了城市出身、原为画家的新老师,令她犯下禁忌仍竭力追求,只为一幅属于自己的画像。Tawfik Alzaidi的长片出道作讲述一男一女于这个艺术有罪的年代追求自由的故事,成为首部入选康城影展的沙特电影,更夺得一种关注单元特别表扬。
在一个深夜里,雷努卡(Renuka)刺死一名警察后逃离德里一家妓院。 她在印度北部的一个性工作者社区避难,在那里她遇到了德维卡(Devika),一个被迫卖淫的年轻女孩。
她们的羁绊发展成了一段禁忌的恋情,一同被迫踏上了逃脱法律与开辟自由之路的危险旅程。
Regitze is a little over thirty but still unemployed and single. A hopeless case, thinks her romantic academic father who never came along to tennis practice. Despite the thorny atmosphere, father and daughter are forced to go on a long hike together – which was the last wish of the deceased mother.
1930 年代,殖民统治之下的哈萨克斯坦发生人为大饥荒,掘墓人伊萨泰每天把新的男女老少的尸体带到万人坑——一个巨大的、裂开的地洞。村长希望从萨尔坎德那里得到一些食物,派伊萨泰去传达信息。为了保护自己的弟弟,他决定带弟弟一起上路。无尽的草原变成了一场循环往复的噩梦,荒芜的空间和无尽的饥饿,逐渐主导伊萨泰的思想。这既是一次身体之旅,也是一次精神冒险,伊萨泰开始产生幻觉,他遇到了民间传说里的人物,面临艰难的选择,他的选择,可能会决定整个村庄的命运。
