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This is an English-language contemporary adaptation of French writer Françoise Sagan’s classic novel Bonjour Tristesse.
The story follows Cécile (McInerny), a young woman spending the summer in a villa in the south of France with her widowed father Raymond (Bang) and his latest love interest, Elsa (Harzoune). Theirs is a lived-in compatibility—a world of ease and languor. But all that soon changes with the arrival of Anne (Sevigny), an old friend of Raymond and Cécile’s mother. Anne’s presence and deep connection to the past alters the villa’s mood. While her way of life appears mismatched with theirs, an attraction—years in the making—forms. Desperate to regain control, Cécile sets in motion a plan to drive Anne away with tragic consequences.
在个人和融入之间，如何不被扭曲活出真我？一部关于自我价值和身份认同的作品——聋人不再是作者的设定，而是主人公，我们不只看得见声音还听得到静音。三位赤诚的聋人青年，出身自不同的家庭，因为不同的机遇和身体状况，对聋人身份和处境有着不同看法和态度。一个活得自信，一个努力融入，一个则不敢苛求。手语把三人连上，现实却撞得彼此遍体鳞伤，他们能否走上耳目一新的一章？避过一切猎奇怜悯的眼光，以最严谨真诚的态度取得微妙平衡，舞动的手语带动情感流动，由衷的尊重充满每一个角落。选角用心精准，令每位大小演员都散发出亮眼的光芒，游学修、钟雪莹和吴祉昊细致的演出更是真挚动人。
At 15, he took a life. Three days later, his brother’s life was taken. A documentary visual album, “Songs from the Hole” follows James "JJ'88" Jacobs through a musical opus of Hip-Hop and Soul, inspired by his innermost struggles as both a perpetrator and a victim of violence as he serves a double-life prison sentence. The film interweaves the collective storytelling of its non-fiction participants with imagined representations of memories, dreams and spiritual dialogues set to its protagonist/co-creator’s original music.
每天都过着迷茫生活的大学生小西，和校内唯一的朋友山根和澡堂的打工伙伴打闹。 有一天下课，被团子头樱田端庄的样子所吸引，下定决心打招呼，机缘巧合下，两人很快一拍即合。 在对话不断的情况下，“我想每天都很开心。 我想我最喜欢今天的天空。”樱田不经意间说出的话刺痛了心。 奇怪的是，那句话和半年前去世的祖母的话一样。 就在这时，改变命运的冲击事件袭击了两个人。
Corsica, 1995. It’s Lesia’s first summer as a teenager. One day a man bursts into her life and takes her to an isolated villa where she finds her father, in hiding, surrounded by his clan. An underworld war erupts. The noose is tightening around them. Death strikes. Forced to go on the run, father and daughter will learn to face one another, to understand and love each other…
莫娜是一位六十多岁的女性，正处于生命中的一个阶段，她想要开始照顾自己。但当她残疾的儿子意外地要有一个孩子时，她又多了一项需要应对的责任。
American sailor Dean Barry, 23 years old, lands in Naples in 1944. Dean develops feelings for native Lucia, with whom he has a son. Dean is compelled to leave them but finally returns to see his family again, in an changed city.
Seen from the perspective of a law enforcement officer, the heads of a criminal network and its victims, John Swab’s kinetic, pulse-raising thriller details how fentanyl is crippling the American heartland and pushing US society perilously close to the point of collapse.
“Close to Me talks about a ‘man who watches’. Luca [Riccardo Scamarcio] is married to Sara [Maria Chiara Giannetta], a woman who’s richer than he is and who recently turned 40 years old. He is a crisis-riddled teacher who, during the lockdown, ends up being a spectator, watching the life of Amanda (Mariela Garriga), his new neighbour. He decides to bridge the gap that separates them, with disastrous consequences.
找到被冻在冰雪中的现金的学生，带着迷茫游客的导游，辞职后去看望母亲的男人，三条故事线交织，身份变得模糊。
影片使用波斯语和法语，曾入围2024年戛纳导演双周并斩获观众选择奖。
When talking about Louis XVI and his wife Marie Antoinette, what immediately comes to mind are lace, tall wigs, flamboyant clothes and colours, Versailles, or… the guillotine. Here, between these two extremes, exists a middle ground, a period of time seldom explored: the few months when the last king and queen of France were imprisoned, with their two young children, in a black castle on the outskirts of Paris, awaiting their executions. A brief and condensed period where, amidst violence and harassment, all masks fell off: those of two royals, as public and private figures; that of the old regime; that of a History that finally turned the page; and that of God who, from then on, was eclipsed by the shadows, leaving man entirely alone.
Synopsis
A sudden gunshot destroys the dream of two lovers. The fate of Orpheus and Eurydice is a cruel one. On their wedding day, her soul is kidnapped and taken down into the Netherworld. Under a metaphysical sky Charon, the taxi driver, waits for the crime to be committed.
COMMENTARY
The movie is an opera-musical with an immersive and transmedial language. The myth is transposed into the contemporary age: Charon is a taxi driver and we go from Paris half under water to the stage of the Teatro Regio in Turin, in a play of musical references that range from Puccini to Händel, from Verdi to Gluck, from Vivaldi to Frankie Goes to Hollywood. And the images fuse words, lyric opera, fashion and the visual arts, between the real and the virtual.
DIRECTOR'S STATEMENT
We created an unexpected encounter between acting and lyric opera, between pop, special effects and images filled with symbolism. Bringing into a cast of extraordinary actors such as Vincent Cassel, Fanny Ardant and Rossy De Palma two young artists selected among hundreds of lyric opera singers: Valentino Buzza and Mariam Battistelli.
伊丽莎白是一位天才外科医生，也是医院里唯一的女性顾问。但在为一位年轻女性做手术时，事情发生了可怕的变化。在一项公开报告外科医生表现的新计划中，她的同事们开始团结起来，伊丽莎白的生活陷入混乱。伊丽莎白坚强而粗鲁，在这个要求最高的领域生存下来并取得了成功。但她能承受一次失误吗？
Kaveh Tehrani's coming-of-age film is an adaptation of Gulraiz Sharif's 2020 novel, depicting the increasingly complex summer vacation of 15-year-old Mahmoud. Not only does a sociable uncle from Pakistan visit, but Mahmoud must also navigate the family crisis that unfolds when his little brother Ali has a secret that turns their whole world upside down.
It doesn't take long for the film to set the tone: The protagonist, Mahmoud, almost immediately breaks the fourth wall, seamlessly taking on the role of the narrator. The film doesn't look back: it brims with techniques and devices that inject energy into the narrative and provide a framework for the themes, taking us under the skin of what turns out to be a poignant, thought-provoking family drama – all wrapped in the attractive guise of comedy.
Questions about identity and belonging in Norwegian society (for both young and older characters) within a multicultural family from Oslo become the central driving force. The adaptation of Gulraiz Sharif's book is solidly directed by debut filmmaker Kaveh Tehrani. While the film aims to maintain its entertainment value, it also carries a sharp political edge – directed equally against society's rigid class structures and conservative family traditions. The talented child actors in the lead roles carry the heart of the film on their shoulders, ensuring that few leave the theater untouched in the end.
一种诡异的传染病引发的身体恐怖故事。一对夫妇度过了一个激情的夜晚，直到一种流行性传染病毒迫使他们把自己锁起来，因为周遭方外的世界彻底颠覆了。。。
动作指导李森（董玮 饰）本已息影多年，因昔日拍档导演欲完成人生最后一部作品才重出江湖；沉醉电影却苦无机会的动作演员李世龙（刘俊谦 饰），一直在理想与现实边缘苦苦挣扎。两代动作演员偶然相遇，一拍即合，决意凭这部“最后之作”令港产动作片再次发光发热。森更渴望借此重振名声，让婚礼在即的女儿Cherry（蔡思韵 饰）能面上有光，修补疏离的父女关系。然而，重返片场的森却顿觉一切已今非昔比，更与曾结怨的男主角、现已为知名动作巨星的梁志威（伍允龙 饰）狭路相逢。两人对何谓香港动作片精神看法分歧，龙夹在森与威的新仇旧恨间左右为难，拍摄过程中的种种难关与森的一段过往令他逐渐对森及动作片的前路产生怀疑...一件突发事故，更将师徒俩推向失控边缘.……
