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夏日时光。一个三口之家,单身父亲巴比斯和他即将成年的双胞胎孩子康斯坦丁诺斯和艾尔莎,乘坐家庭小船前往波罗斯岛度假。在游泳、日光浴和结交新朋友的过程中,康斯坦丁诺斯和艾尔莎无意中遇到了他们的生母安娜,她在他们还是婴儿时就抛弃了他们。这次相遇将激起巴比斯心中长久以来的怨恨,为每个人带来一段苦乐参半的成长之旅。
19 岁的 Liane 勇敢而热情,与母亲和妹妹一起生活在法国南部弗雷瑞斯尘土飞扬的阳光下。 她痴迷于美丽和成为“某人”的需要,将真人秀视为她被爱的机会……当她试镜“奇迹岛”时,命运向她微笑。
近未来的东京,一场即将到来的灾难性地震让人们惶恐不安,生活阴云密布。一对好朋友优太(栗原飒人 饰)和洸(日高由起刀 饰)即将高中毕业。然而,某天晚上,两人合伙捉弄了校长,导致学校安装了监控系统。在这令人窒息的监视系统和日益严峻的国家政治局势中,洸对世界愈发感到失望,而优太却似乎完全没有意识到这一点。
洸在一位充满激情的学生活动家(祷云母 饰)身上找到了共鸣,他的政治意识也随之觉醒。他认为优太永远无法理解自己这份新的热情所在,便开始疏远优太。两人自幼结下的深厚友谊,也首次因从未表达过的分歧而面临考验。
Ilija is a member of the Croatian Defence Council (HVO) somewhere in Central Bosnia in late 1993. One morning, after a routine mine laying campaign, he learns his younger brother Goran was killed far beyond enemy lines, together with eight other soldiers. Through a friend from the secret service, he finds out the mission was an unofficial one and that Goran and the others were acting as mercenaries. Ilija begins to expose a network of illegal activity involving not only the military, but high-ranking officials. As the investigation becomes more dangerous, his original intention to find out the truth slowly turns into a pathological mission of vengeance.
在阿富汗内战前的背景下,尽管苏莱娅(共产党人)和西玛(保守派)的生活选择截然不同,她们仍然保持着一生的友谊。当苏莱娅成为执政的共产党的一员时,西玛则参与了圣战组织以捍卫穆斯林的价值观。
Repression and taboos have shaped the image of womanhood for Ana (68), Patricia (69) and Mayela (71). Their stories poetically combine to form a kaleidoscope of memories, secrets and longings that are incarnated by another woman’s body.
When talking about Louis XVI and his wife Marie Antoinette, what immediately comes to mind are lace, tall wigs, flamboyant clothes and colours, Versailles, or… the guillotine. Here, between these two extremes, exists a middle ground, a period of time seldom explored: the few months when the last king and queen of France were imprisoned, with their two young children, in a black castle on the outskirts of Paris, awaiting their executions. A brief and condensed period where, amidst violence and harassment, all masks fell off: those of two royals, as public and private figures; that of the old regime; that of a History that finally turned the page; and that of God who, from then on, was eclipsed by the shadows, leaving man entirely alone.
