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A ship explodes. A man dies. A man disappears without a trace. Is it an accident or a cover-up for something darker? Documentary filmmaker Nerijus Milerius (“Exemplary Behaviour”) invited his former student Lina Lūžytė (“Together Forever”, “The Castle”) to direct this Lithuanian psychological thriller while investigating Japanese disappearances. Genius cinematographer Vytautas Katkus (worked on Locarno winner “Toxic”) captures the dark subject matter perfectly, jumping between moving cars and shooting in time-lapse. Actress Žygimantė Jakštaitė (“Runner”) plays Lina, a Vilnius morgue medic who becomes fascinated by the mysterious disappearance of a sailor named Vilkas (Wolf). Her obsession leads her to eerie places and disturbing encounters. The clock is ticking as Lina searches for the lost man.
My name is Sofia. I’m 14 years old and I’m lost. My mother vanished inside the boarding school where she works, and my father just tried to commit suicide under strange circumstances. Next to him, an Ouija board. I used it during a terrifying seance, and the ghost of my mother told me to look for her. Everything is clear to me now. My name is Sofia. I’m 14 years old and I’m going to enroll at the boarding school to find the body of my mother.
Nature takes over when Ben (24) and his father Willem (52) decide to join a group of professional snowboarders to a remote mountain, bringing out their hidden grievances, silent connection and deep instinctual drive to help each other survive.
The indie centers on a South Asian family in Toronto and the suburb of Scarborough. Ash is caught between two worlds he must constantly traverse, one that of an aspiring writer in Toronto and that of his family in the immigrant-rich suburb of Scarborough. The ensemble cast includes Bernard White in the role of Vijay, Ash’s father who wants to reconnect with his estranged son, and Pamela Mala Sinha as Nisha, Ash’s mother.
浩泰和东熙从小像兄弟一样一起长大。几年前搬到首尔的浩泰在父亲葬礼后重新回到了江陵。另一边，东熙因为出柜被赶出家门，独自生活在浩泰家的空房子里。时隔许久重逢的两人，开始了同一个屋檐下的生活。东熙再次看到既像亲兄弟又是自己初恋的浩泰时，虽然想控制住自己激动的心情，但并不容易。浩泰也对好久不见的东熙产生了至今为止从未有过的情感，为了从对东熙的混乱感情中逃脱，浩泰开始随便交女朋友。看着这样的浩泰，东熙感到很受伤，而两人岌岌可危的关系也因为一次意想不到的事件为契机开始慢慢发生变化… 这部为《非故意恋爱故事》的衍生电影
1978年，红色高棉政权邀请三名法国使者—醉心研究马克斯主义的学者、一心求真的务实记者，和满腔热诚、爱抱打不平的摄影师，到柬埔寨进行国情研习，企图向西方说好赤柬故事。政党高层句句歌颂波尔布特崇高的革命理念，被安排游览的场所处处展示赤柬的丰功伟绩，却依旧难掩人民脸上的恐惧。三位使者在高压政权的监视下寻找真相，以镜头和录音机对抗紧随他们的军人和枪支，却不知危险正逐步逼近。第10届焦点导演潘礼德过去多部作品，包括入围奥斯卡之作《被消失的影像》均反映出他对红色高棉大屠杀的念兹在兹，今次以剧情片重演真实事件，回归康城影展，继续以其独有的方式念记柬埔寨这段血腥沉重的过去。
While everything points to his guilt, Monier takes up the cas
自打出演了《无耻混蛋》，法国女星梅拉尼·劳伦已经拍摄了六部剧情长片，大都是标准的法式剧情片。然而她一直有一个执掌动作大片的愿望。 她觉得在法国要实现这个梦想很难，法国可以拍出各种各样的小电影，你很容易成为一名导演。随着预算提升到某个数字，这突然成了一件非常困难的事。于是，借流媒体春风，她在网飞、亚马逊那里找到了机会。 为此，她接受美国电影工业残酷的一面：导演在这并不神圣，新人很容易失去最终剪辑权。劳伦克服了这些挑战，先是亚马逊的《疯女人的舞会》，再是网飞的《女僚机》。后者的女盗故事已经很接近劳伦的梦想。不过在她的抽屉一直有一个传记故事《自由》。 按照劳伦的说法，这是她的《邦妮和克莱德》，取材自法国七八十年代真实的雌雄劫匪布鲁诺和安妮。浪漫自然是她愿意呈现的元素，不过最让劳伦兴奋的，是她可以自己拿着摄影机，钻进狭小的车辆，拍摄自己想要的镜头——在同等环境下，她比男性同行更容易隐藏和移动自己。
在20世纪80年代的法国东北部，两个青少年，克洛泰尔 (Clotaire, 弗朗索瓦·西维尔 François Civil 饰) 和雅姬 (Jackie, 阿黛尔·艾克萨勒霍布洛斯 Adèle Exarchopoulos 饰)，尽管他们的社会出身截然不同，仍然深深相爱：她来自一个富裕的家庭，而他则来自工人阶级家庭。他们的爱情注定失败，男孩因此走上犯罪的道路，并被判入狱十二年。出狱后，克洛泰尔决心重新赢回雅姬的心。
