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★妓女求財,惹鬼上身!
★取材自泰國古老邪術儀式「娜娜通」,戴上金面,儀式開始,歡迎許願,後果自負。
★《幽魂娜娜》Sai從影以來最大尺度演出,情色恐怖題材挑戰演技極限!
★反映泰國社會不為人知的黑暗角落,青樓女子為求生存不擇手段!
故事大綱
小安是一名以性交易為生的妓女,她住在貧民窟的老舊旅館裡,周圍充滿污穢和妓女,但她卻想過著奢侈的生活。有天,小安聽到妓院媽媽桑的建議,說有一種古老邪術儀式「娜娜通」,可以實現致富的願望,但也必須付出相同的代價。
小安決定嘗試,將自己的身體和生命獻給看不見的靈體,換取人見人愛的新生活。但想要的東西越有價值,也必須拿出等值的東西交換,小安不知道的是,她的軀體都因「娜娜通」而受到的惡鬼吞噬…
Helen's mundane life at the chicken factory takes an unexpected turn with Joanne's return. They were each other's secret teenage passion. As they fall in love, Helen's zest for life returns but Joanne faces something darker from her past.
Pugh’s musical drama takes off in a chicken factory in industrial north Wales, set to songs from the 1960s and 70s. The debut feature follows a woman stuck in a rut, played by Louise Brealey. Annabel Scholey, Sorcha Cusack, Celyn Jones and Emily Fairn also star. Anne Beresford and Andrew Gillman are producing through Artemisia Films, alongside Adam Partridge of Delta Pictures and Peggy Cafferty of Play House Studios. It is funded by the BFI and Ffilm Cymru Wales, both awarding National Lottery funding, and BBC Film.
1930 年代,殖民统治之下的哈萨克斯坦发生人为大饥荒,掘墓人伊萨泰每天把新的男女老少的尸体带到万人坑——一个巨大的、裂开的地洞。村长希望从萨尔坎德那里得到一些食物,派伊萨泰去传达信息。为了保护自己的弟弟,他决定带弟弟一起上路。无尽的草原变成了一场循环往复的噩梦,荒芜的空间和无尽的饥饿,逐渐主导伊萨泰的思想。这既是一次身体之旅,也是一次精神冒险,伊萨泰开始产生幻觉,他遇到了民间传说里的人物,面临艰难的选择,他的选择,可能会决定整个村庄的命运。
一对即将分离的情侣彼此取暖;一位老妇人沉浸在过往爱情岁月;一对玩伴畅想移民美国,成为职业棒球球员。在古巴内陆城市圣安东尼奥德洛斯巴尼奥斯,时间似乎停滞不前,三组人物构成的情感世界在这里流动、展开。意大利导演托马索·桑坦博吉奥在这部影片中倾诉自己对古巴社会中的爱情和离别的思考。影片中三组人物不仅是导演对过去(老妇人)、现在(恋人)、将来(玩伴)的真诚思考,同时也是他对古巴社会图景的再现。导演用海浪的声音凸显陆地与海洋的关系,并使用黑白影像来颠覆人们对五彩斑斓的古巴的认知。影片入围第80届威尼斯电影节“威尼斯日”平行单元。
意大利资深导演乔治奥·迪里蒂继传记片《我想藏起来》入围柏林国际电影节主竞赛单元后,其新作《卢博》又入围威尼斯国际电影节主竞赛单元。影片主人公卢博以街头卖艺为生,他是游牧民族的成员。1939年,卢博加入瑞士军队服兵役保卫边境,但随后他的孩子们却被带走接受国家“再教育计划”,卢博意识到只有找回孩子才能获得真正的平静……影片以漫长的冒险旅程和大量细节揭示了主人公追索自由之艰辛。
故事发生在里海沿岸,年轻的阿米尔与娜吉斯深爱着彼此。然而,在当今的伊朗社会,仅仅拥有爱情远不足以共筑未来的生活,因此他们隐瞒了相爱的事实。阿米尔背负着巨大的压力,为了得到女友“上流”家庭的认可,他急需一大笔钱作为丰厚的彩礼。无奈之下,阿米尔在渔场里做了一名渔夫,而他也因此卷入了危险却暴利的鱼子酱走私勾当。阿米尔在其中越陷越深,而另一旁,娜吉斯却一直在拖延时间,意图拖延父母给她安排的婚事。在今日仍旧恪守成规、腐败横行、阶级固化的伊朗社会中,他们的爱情、希望与梦想能否找到一条出路?
九十年代的沙特阿拉伯因早年的政治变革社会风气日趋保守,任何形式的艺术创作都被视为异端,女性外出亦须穿着全黑头巾及罩布,只能露出一双眼睛。正值花样年华的Norah生在偏远村落,从小就向往大城市的多姿多采,不甘只作传统女性一辈子在家相夫教子,但三姑六婆为她安排的婚期已推无可推。有日村上来了城市出身、原为画家的新老师,令她犯下禁忌仍竭力追求,只为一幅属于自己的画像。Tawfik Alzaidi的长片出道作讲述一男一女于这个艺术有罪的年代追求自由的故事,成为首部入选康城影展的沙特电影,更夺得一种关注单元特别表扬。
原本拥有美满生活的拉菲克有一天突然无端发狂,砸烂了办公室并跳出窗外,人们以为他企图自杀。最终拉菲克被捕入狱。四年后,拉菲克刑满出狱,他心里只有一个念头:带儿子去看看他的发现——他一切行为的源头。尽管妻子和岳父极力阻止,他还是从学校带走了儿子。在躲避警察的过程中,他们偶遇了一位牧羊人,并在一座乡间小屋过夜,事情开始变得奇怪了起来……
都21世纪了,你还有哪些骚操作没有见过呢?比如仿真娃娃公司,开发出了新的娃娃,十分逼真,可以做你的床伴,在你孤独寂寞时候,给你排忧解难,不管你是多么的饥渴,他或者她都能够让你满足。不管是年轻,中年,或者年老,总有一款让你得到满足。
故事发生在一个叫It的年轻人身上,他居然向一个仿真娃娃Anna求婚,真的是很奇葩吧,而且他还把他与这娃娃的新婚之夜放在网络上面直播,足够疯狂吧,但是糟糕的事情发生了,当他对仿真娃娃说我爱你的时候,异常早已经种下,而且在行床笫之事的时候,娃娃出了故障,娃娃自毁了,It随着电流而被电了,而他自己的鸡儿也被烧焦了,于是网络上,很快#被烧焦的鸡儿上了热搜,冲到了最前面...
随后,他去看医生,遇到的女医生,曾经是他同校的学妹,紧张的他,鸡儿本来不会抬起,却此刻起来了,窘迫的他在医院发生了一系列的事情,到了家,新的护理娃娃也被送到了家,于是发生了一系列搞笑而诡异的事情...
Martinez, a lonely accountant who really prizes his daily monotony, is pushed by his hierarchy to retire. While his life stability is threatened, his neighbor, a woman of his age, is found dead in her home after several days. Although he has never met her, her death will make him realize that his life is still ahead of him.
In a tiny rural village in Argentina, Rita Lopez, a pious yet insatiably competitive woman, discovers that staging a miracle could be her ticket to sainthood.
Anna, in her late twenties, feels like her life is slipping through her fingers. A ticket to a prestigious music school in Paris might be the perfect last chance to pursue her dream career in piano. Success no longer seems so elusive unless her manipulative, self-destructive alcoholic father stands in her way.
Dragos Binder is doing research in order to write a fiction film based on the true event of his parents fleeing the country in the 80s communist Romania, but then he changes the subject, moving the camera lens on himself.
亚当试图在波兰一个小镇上成为一个好丈夫和父亲。但亚当开始感到自己的身体越来越不舒服,因为这个身体并没有反映出他的真实身份。
一位内向的俄罗斯父亲和十几岁的女儿住在一辆面包车里。面包车装着他们的全部生活,包括一套电影放映设备。那是他们微薄收入的来源。这对无名的父女从南到北,在他们广阔国家的极端气候中漫游。
Regitze is a little over thirty but still unemployed and single. A hopeless case, thinks her romantic academic father who never came along to tennis practice. Despite the thorny atmosphere, father and daughter are forced to go on a long hike together – which was the last wish of the deceased mother.
Five women are running an old hotel and trying to save it from inexorable decay. Guests arrive over the course of a weekend: a couple bears the wounds of a long-term misunderstanding; a domineering mother interferes in her daughter’s relationship; two girls try to save their own love story in the face of opposition from a possessive mother. Viver Mal is the reverse shot of Mal Viver, which is screening in the Competition: here, João Canijo reveals everything that was floating in the depth of field in this film’s mirror image. Reality becomes the intertwining and multiplication of different points of view; the intersection between what can be seen and what the eye misses. Like a play of light reflections, Viver Mal is Mal Viver in another dimension. The image is distorted, but at the same time seeks a new definition by relaunching itself into infinity.
Andrea Absolonová was a talented Czech professional diver with a bright career ahead of her. However, her sports career had been cut short by a spinal injury during a training session at the Atlanta Olympic Games. She then embraced a professional career in the adult entertainment industry, where she became an internationally recognized porn actress. She died at the age of 27.
Eva has just given birth to her third child but the peaceful air of their happy family is invaded by strange happenings when their twin daughters turn up injured and Eva is being accused for it.
