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Tridan Lagache a passé sa vie au Club Med, à changer d’amis tous les 8 jours. À 50 ans, il démissionne du club de vacances mexicain où il est né, bien décidé à retrouver, 42 ans plus tard, son grand amour d’enfance, Violette.
Il débarque à Paris, naïf et perdu mais heureux d’être hébergé chez Louis, un demi-frère dont il ignorait l’existence. Pour se débarrasser d’un Tridan encombrant, Louis supplie une de ses conquêtes, Roxane, de se faire passer pour Violette que Tridan croit reconnaître au premier regard.
Bhanwar, a simple man, is burdened by the overpowering shadow of his dominant uncle Bhairo who makes decisions on Bhanwar's behalf. To improve their living conditions, his uncle coaxes him to buy a bride
Set in Melbourne, Australia during the early days of the COVID-19 pandemic, Kristal (Kate Mayhew) is enjoying the last few days of her trip to Australia when she meets Lisette (Stevie McKeon) on a night out in the city. The pair are saying farewell after a one-night stand, when news of Melbourne's border closure reaches them - unable to return to Canada Kristal accepts Lisette's invitation to stay with her during the citywide lock-down. Can these two perfect strangest survive a month together or will their differences drive them apart?
画家皮埃尔·博纳尔有众多缪斯，其中如果没有神秘的玛莎，他就不会成为今天的著名画家。假扮成身败名裂意大利贵族的玛莎，让皮埃尔·博纳尔疯狂迷恋。然而她不知道，自己很快就会成为一部传世巨作的主角。
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang
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