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　　怀揣着对未来的无尽憧憬，年轻的世珍（郑有美 饰）背井离乡千里迢迢的来到了繁华的大都市首尔，在那里，她即将展开新的工作生活。可是，现实并不如想象的那样美好，在拮据的生活条件下，世珍不得不蜗居在一间位于地下室的简陋小房子里。然而，即便是这样，世珍也依然抱着积极乐观的态度过着每一天，唯一让她感到困扰的，是住在隔壁的那个粗犷凶恶的男子。
　　男子名叫吴东哲（朴重勋 饰），曾经混迹于黑社会的他为了替老大顶罪而锒铛入狱，虽说如今已经重获自由，可是身心俱疲的他却再也找不到曾经的那股冲劲了。就是这样的一对毗邻的男女，两人之间不断的产生着误会和笑话，但在渐渐熟悉的过程中，世珍发现了吴东哲那颗已经落灰的真挚和善良的内心，一股清新温暖的感情渐渐的萦绕在了两人的心头。

　　改编自同名网络漫画的电影《我的僵尸女儿》官宣选角阵容。将由曹政奭、李姃垠、曹汝贞、尹敬浩和崔惟理主演。
　　《我的僵尸女儿》是由李胤昌於2018年在Naver网漫平台连载的作品，讲述了为了保护被僵尸病毒感染的女儿，父亲带著她逃到农村母亲的家中，展开了一段艰苦奋斗的故事。 作品将僵尸和家庭两个主题相结合，不仅揭示了当代社会充斥的仇恨和冲突，还关注了家庭之间的爱与亲情，因此在连载期间广受欢迎。
　　曹政奭饰演努力让僵尸女儿重新变回人类的“糊涂爸爸”李正桓。奶奶“金凡顺”由实力派演员李姃垠饰演，扮演僵尸女儿“李秀娥”则是崔惟理。 曹汝贞扮演李正桓初恋，尹敬浩则饰演李正桓的幼时好友。

　　Nothing is more frightening, as the narrator points out, than a ‘time-rich nosy person’. Exhibit A is Ahn Geo-ul (Gyeong Su-jin), who commits herself to social justice causes with terrifying tenacity. After temporarily renting a unit in the Baek-sae Apartment building, she discovers that a loud, hard to locate banging noise occurs from 4am every night, making the residents’ lives an insomniac hell – and so she determines to engage in her own disruption and to find the culprit of this acoustic assault, simultaneously eliminating her eccentric neighbours as suspects, and recruiting them to her cause.
　　Focusing on a woman who is an unstoppable force for good, it is also a plea for community cohesion and solidarity.

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.       

His name is “Geun-seong” (which means “perseverance” in Korean), but he lacks perseverance in his actions. Working as a medical device sales representative, he has never achieved even an average performance. He has no intention of making an effort and wants to become famous through internet live streaming to make a lot of money, just like everyone else. Also, he is a twisted individual who gets entangled in other people’s affairs. At a longawaited high school reunion, Geun-seong encounters Jong-man, who has become famous as a VJ, and he exposes the school violence he experienced, which gained him instant fame.                                    
                               　　The movie follows Geun-seong’s journey of descent into wickedness, taking advantage of someone’s weakness. It portrays extreme selfishness in believing there is no problem as long as he can succeed, even if it means trampling over others. This extreme greed is not limited to Geun-seong. As a result of Geun-seong’s actions, including Jong-man’s career being jeopardized, everyone in the film is only concerned about themselves. What is happening to the world? Geun-seong adopts an attitude that he will do anything for fame to earn a large sum of money. The director focuses on Geun-seong’s face in extreme situations, without any sympathy or affection towards him. You might catch a glimpse of your own face there, and sense the tragedy of this era. (HUH Namwoong)