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More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
The story, set in rural Calabria in the late 1940s, tells of the friendship between a single mother and the local wedding planner, the only homosexual in the village. This friendship leads her to challenge the prejudices of the community and fight to find her place in the world.
本片是苏联伟大卫国战争系列史诗巨片之一部。影片尽情歌颂了苏联人民，在德国法西斯围困列宁格勒的900个艰难的日日夜夜，所表现出来的顽强精神。影片及表现了苏军大本营对列宁格勒的战略布防，也表现出列宁格勒市民面对生死的坚忍不拔。同时也是为数不多的苏联战争影片，客观地表现了战争初期红军失利，以及红军将领伏罗希洛夫元帅组织列宁格勒城防的失败。影片还展现了列宁格勒基洛夫工厂，冒着的德军轰炸，坚持为前线生产武器，以及军队和市民通过城市唯一与外界的通道——拉多加湖通道，运送粮食、武器和其他战略物资的场面。该片还较为详实地展示了希特勒攻占列宁格勒的计划，以及红军与市民联手防御，共同抗敌的画面。这部影片，将战争的全景展示与战壕细节完美地结合起来，直到今天仍不失为一部反法西战争的优秀影片，很值得观赏和借鉴。
His name is “Geun-seong” (which means “perseverance” in Korean), but he lacks perseverance in his actions. Working as a medical device sales representative, he has never achieved even an average performance. He has no intention of making an effort and wants to become famous through internet live streaming to make a lot of money, just like everyone else. Also, he is a twisted individual who gets entangled in other people’s affairs. At a longawaited high school reunion, Geun-seong encounters Jong-man, who has become famous as a VJ, and he exposes the school violence he experienced, which gained him instant fame.
The movie follows Geun-seong’s journey of descent into wickedness, taking advantage of someone’s weakness. It portrays extreme selfishness in believing there is no problem as long as he can succeed, even if it means trampling over others. This extreme greed is not limited to Geun-seong. As a result of Geun-seong’s actions, including Jong-man’s career being jeopardized, everyone in the film is only concerned about themselves. What is happening to the world? Geun-seong adopts an attitude that he will do anything for fame to earn a large sum of money. The director focuses on Geun-seong’s face in extreme situations, without any sympathy or affection towards him. You might catch a glimpse of your own face there, and sense the tragedy of this era. (HUH Namwoong)
Love and loss are closely linked in MY SON, an emotional drama about a teenager and his mother who go on a journey together after nearly having lost one another.
安吉拉是一位聋人，她与听觉正常的伴侣赫克托即将迎来他们的第一个孩子。然而，宝宝的到来却引发了一系列关系危机，迫使安吉拉直面在一个并不适合她的世界里抚养女儿的重重挑战。
本片是多次勇夺广东地区收视冠军的同名千集电视长剧的贺岁电影版。
广州西关康家大院疑似发现古文物遗址，一家人听到政府许诺会作出巨额补偿时，喜出望外。家庭会议上，康嫂（沈殿霞）宣布她拟将补偿金分作四分，自己以及三个儿子阿光（苏志丹）、阿宗（郭昶）和阿耀每人各一，但尚没成家或离婚的那份，暂由她保管。二十年前携带幼子阿祖（余文乐）离开康嫂去香港淘金的康伯（曾志伟）看过新闻，也回到广州欲分一杯羹。紧接，这一家便如炸开了锅：康叔想着不久就有大钱拿，借诸多老街坊的保命钱将家里置换一新；最贪财的阿宗和阿婵（虎艳芬）两夫妻决定拿到钱再离婚；阿光和阿耀虽不视钱如命，但有钱总比没钱好，于是急着带外地女友见家长——因为康嫂规定不准讨外地人做老婆，他们为讨她欢心可谓大费周章；阿祖更要命，他喜欢上的女孩（蒋怡）竟是个山东人与韩国人的混血儿，不但自己很能打，还有个非常能打的老爸（黄霑）和老弟，为了将女孩追到手，他没少挨拳头。
女舞者被斩首抛尸的案件早已传遍全国。五年过去了，案件杳无音讯，但女舞者的头颅至今下落不明。家庭破裂后，身为恐怖小说作家的娜娜急需一间廉价的出租房。正因如此，她租了一间廉价的房间，过去五年来，她带着孩子也一直住在那里。娜娜一直感到不安，房间里不断传来一个女人痛苦的哭喊声，她要求砍下自己的头颅，这提醒着她并非孤身一人。娜娜和其他任何进入房间的人都会被那些开始出现的鬼魂吓坏。附近房间里也有三个人长大，但他们死得非常惨。有些人撞到了大东西，有些人从楼梯上摔了下来。大多数死者都在监狱里。娜娜的视力越来越清晰，她能从头到脚看清那个女鬼的模样。因为娜娜的老板因为斩首案把她解雇了，她开始调查，并确定这里就是鬼魂的死处。娜娜想走却走不了。如果她找不到鬼魂的头，她的女儿就会被斩首。
