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吉姆·布劳德本特将主演新片[一个人的朝圣](The Unlikely Pilgrimage of Harold Fry,暂译)。希提·麦克唐纳(《正常人》)执导。该片改编自蕾秋·乔伊斯撰写的同名畅销书,讲述哈罗德·弗莱(布劳德本饰)收到20年未见的好友奎妮的一封信,奎妮患了癌症,写信告别。震惊、悲痛之下,哈罗德写了回信,在寄出的路上,他由奎妮想到了自己的人生,经过了一个又一个邮筒,越走越远,最后,他从英国最西南一路走到了最东北,横跨整个英格兰。87天,627英里,只凭一个信念:只要他走,老友就会活下去。
一宗離奇失蹤案,讓山叔(許紹雄飾)痛失了愛妻山嫂,也讓張以靜(高海寧飾)自小沒了母愛。山叔本是一名鎖匠,經營一家名為《誠信》的鎖店,卻因為這場意外失智了。他隨後收了一位愛徒程浩仁(姜皓文飾)。阿仁接班了山叔的好手藝,精通開鎖,甚至青出於藍。正因為他的這一手好功夫,經常被警察找去幫忙開鎖的他也因此和警探劉業信(黃浩然飾)變成了好友。至今阿仁從未遇見他開不了的鎖。一直到有一次的開鎖工作中,他碰見了多年沒見的老友李全凱(陳沛江飾)。自此,接二連三的怪事陸續發生,阿仁在回家途中無意間聽見新搬來的鄰居關小姐(黃詩棋飾)吹起了耳熟能詳的口琴旋律。不曾見過關小姐的阿仁開始對關小姐產生好奇並偷偷監視著她。與此同時透過以靜,得知當年山嫂的撲索迷離案,並不單純,極有可能與關小姐的出現有關。結果阿仁又在某次的開鎖工作中撞見了一宗謀殺案,因而被劉sir視為頭號嫌疑犯。
究竟阿仁在隱藏著什麼?阿仁是不是遇見了一把他怎麼樣都解不開的鎖?那首不寒而慄的口琴旋律,阿凱的出現,山嫂的死,這把打不開的鎖到底背後捲入了多少人?警探劉sir有沒有機會幫助自己的好友擺脫嫌疑?難道每個人心中真有一把鎖,每一道門的背後都有許許多多未知的故事在等著我們......
一位内向的俄罗斯父亲和十几岁的女儿住在一辆面包车里。面包车装着他们的全部生活,包括一套电影放映设备。那是他们微薄收入的来源。这对无名的父女从南到北,在他们广阔国家的极端气候中漫游。
三个浪漫功能失调的姐妹试图驾驭她们母亲的第三次婚礼:三姐妹回到她们童年的家度过了一个重要的周末——两次丧偶的母亲戴安娜(托马斯)将举办第三次婚礼。这三个女儿来自截然不同的行业:乔治娜(艾米丽·比查姆 Emily Beecham 饰)是一名保守的护士,维多利亚(西耶娜·米勒 Sienna Miller 饰)是好莱坞明星,凯瑟琳(斯嘉丽·约翰逊 Scarlett Johansson 饰)是皇家海军上尉 。周末,一家人聚在一起庆祝新婚,但在一群意想不到的婚礼宾客的协助下,母女们都被迫重新审视过去并面对未来。
During a long journey, Astrid and Tristan stop at a remote cottage to spend the night. But they are not aware that in the woods nearby an antisocial trio are preparing to invade the home, bent on torture and murder.
这部电影的故事发生在 20 世纪 80 年代,围绕一对名叫苏珊娜(卢娜·玛雅饰)和苏里亚(艾哈迈德·梅甘塔拉饰)的夫妇展开。他们一直保持着长期的关系,并且彼此深爱着对方。当他们计划结婚时,他们的关系出现了新的转变。然而,他们的计划受到一个重大问题的阻碍:苏珊娜的父母背负着巨额债务。这笔债务是欠村里最富有的地主Raden Aryo(Tio Pakusadewo 饰)的。苏珊娜的父母没有足够的钱,并寻求其他方式来偿还债务。拉登·阿廖随后提出了一个条件,以考虑还清债务——他希望苏珊娜嫁给他并成为他的第二任妻子。没有其他选择,他们只好答应了拉登·阿廖的要求。由于强迫婚姻,苏珊娜与苏里亚的关系破裂。婚后不久,苏珊娜就怀上了拉登·阿廖的第一个孩子。这引起了拉登·阿廖的第一任妻子米纳蒂(莎莉·玛切琳娜饰)的嫉妒,她无法怀孕。米纳蒂最终寻求强大女巫的帮助来诅咒当时已经怀孕的苏珊娜。诅咒成功了,导致苏珊娜在怀着婴儿时死亡,时间恰好是“Jumat Kliwon”之夜。然而,苏珊娜的死并不意味着她彻底消失。她以“sundel bolong”的形式回归,这是一个长发、穿着白色连衣裙、背后有一个洞的女鬼。作为一个复仇的灵魂,她寻求对那些在她过去犯下罪行的人进行报复,尤其是导致她和她未出生的婴儿死亡的诅咒的肇事者。— CNN 印度尼西亚
The plot introduces us to a psychologist who suggests to three couples that they engage in a group session, where they will have to analyse each other without her being present. In order to do so, she has left them a number of envelopes containing instructions on the things they have to address. The method she has proposed encourages everyone to share their opinions, argue with each other and reveal their true selves. They are all public prosecutors and defence lawyers; they all interrogate one another, confess, lay themselves bare emotionally, regret the things they have said and toy with provoking the others. It’s a comedy with realistic characters and with a great sense of humour up until the final twist, which will wipe the smile off the audience’s faces because, in an instant, everything will take on a different meaning.
Set in 1964, a camera crew follows Willie Pep, retired featherweight boxing champion. Down and out in Hartford CT, married to a woman half his age and with a drug-addled son and mounting debts, Pep decides to make a return to the ring.
Paris, 1887. Duels have been officially outlawed but are still regular practice. For many, they are the only way to defend their honor. Fencing master Clément Lacaze tries in vain to prevent his nephew from engaging in an uneven duel with the more experienced Colonel Berchère. Marie-Rose Astié de Valsayre, a feminist fighting for women’s equality, tries to show that honor is not just a male affair. Actor and director Vincent Perez’s historical film makes excellent use of various forms of duels – with épées, pistols, and sabres on horseback.
源自:https://www.kviff.com/en/programme/film/63/40763-the-edge-of-the-blade
