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近未来的东京,一场即将到来的灾难性地震让人们惶恐不安,生活阴云密布。一对好朋友优太(栗原飒人 饰)和洸(日高由起刀 饰)即将高中毕业。然而,某天晚上,两人合伙捉弄了校长,导致学校安装了监控系统。在这令人窒息的监视系统和日益严峻的国家政治局势中,洸对世界愈发感到失望,而优太却似乎完全没有意识到这一点。
洸在一位充满激情的学生活动家(祷云母 饰)身上找到了共鸣,他的政治意识也随之觉醒。他认为优太永远无法理解自己这份新的热情所在,便开始疏远优太。两人自幼结下的深厚友谊,也首次因从未表达过的分歧而面临考验。
动作指导李森(董玮 饰)本已息影多年,因昔日拍档导演欲完成人生最后一部作品才重出江湖;沉醉电影却苦无机会的动作演员李世龙(刘俊谦 饰),一直在理想与现实边缘苦苦挣扎。两代动作演员偶然相遇,一拍即合,决意凭这部“最后之作”令港产动作片再次发光发热。森更渴望借此重振名声,让婚礼在即的女儿Cherry(蔡思韵 饰)能面上有光,修补疏离的父女关系。然而,重返片场的森却顿觉一切已今非昔比,更与曾结怨的男主角、现已为知名动作巨星的梁志威(伍允龙 饰)狭路相逢。两人对何谓香港动作片精神看法分歧,龙夹在森与威的新仇旧恨间左右为难,拍摄过程中的种种难关与森的一段过往令他逐渐对森及动作片的前路产生怀疑...一件突发事故,更将师徒俩推向失控边缘.……
Ilija is a member of the Croatian Defence Council (HVO) somewhere in Central Bosnia in late 1993. One morning, after a routine mine laying campaign, he learns his younger brother Goran was killed far beyond enemy lines, together with eight other soldiers. Through a friend from the secret service, he finds out the mission was an unofficial one and that Goran and the others were acting as mercenaries. Ilija begins to expose a network of illegal activity involving not only the military, but high-ranking officials. As the investigation becomes more dangerous, his original intention to find out the truth slowly turns into a pathological mission of vengeance.
回忆起他们的相识,前一段关系结束,新的相遇开始。玛利亚在聚会里遇见心仪对象迅速坠入情网,却在结婚七年后,突然迎来丈夫的离婚宣告。面对爱情悄然逝去,不甘放手的她,强拉着丈夫进行婚姻谘商,试图修复彼此之间的裂痕。当过去相处点滴被逐一摊开、放大检视,这个关于情感的练习题,却比她想像中还要难解复杂。
在阿富汗内战前的背景下,尽管苏莱娅(共产党人)和西玛(保守派)的生活选择截然不同,她们仍然保持着一生的友谊。当苏莱娅成为执政的共产党的一员时,西玛则参与了圣战组织以捍卫穆斯林的价值观。
Repression and taboos have shaped the image of womanhood for Ana (68), Patricia (69) and Mayela (71). Their stories poetically combine to form a kaleidoscope of memories, secrets and longings that are incarnated by another woman’s body.
When talking about Louis XVI and his wife Marie Antoinette, what immediately comes to mind are lace, tall wigs, flamboyant clothes and colours, Versailles, or… the guillotine. Here, between these two extremes, exists a middle ground, a period of time seldom explored: the few months when the last king and queen of France were imprisoned, with their two young children, in a black castle on the outskirts of Paris, awaiting their executions. A brief and condensed period where, amidst violence and harassment, all masks fell off: those of two royals, as public and private figures; that of the old regime; that of a History that finally turned the page; and that of God who, from then on, was eclipsed by the shadows, leaving man entirely alone.
An illegal Filipino entertainer in Japan, Manuel, meets a bankrupt Japanese businessman, Shigeru. After knowing the whereabouts of a high-profile serial killer at large, the two men decide to capture the killer to get a big bounty.
“Close to Me talks about a ‘man who watches’. Luca [Riccardo Scamarcio] is married to Sara [Maria Chiara Giannetta], a woman who’s richer than he is and who recently turned 40 years old. He is a crisis-riddled teacher who, during the lockdown, ends up being a spectator, watching the life of Amanda (Mariela Garriga), his new neighbour. He decides to bridge the gap that separates them, with disastrous consequences.
Since his father found a mysterious package and heard the eerie sounds of an indigenous tribe, ARDI and his family have experienced strange events. SUCIPTO (his father), MARNI (his mother), and ARIF (his younger brother) all fell ill, one by one. Ardi and his younger sister, SYIFA, believe this is the result of a santet (a deadly curse), and they will be the next victims. It is a high-level curse from outside the land of Java, known as Santet Segoro Pitu .
