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Repression and taboos have shaped the image of womanhood for Ana (68), Patricia (69) and Mayela (71). Their stories poetically combine to form a kaleidoscope of memories, secrets and longings that are incarnated by another woman’s body.
When talking about Louis XVI and his wife Marie Antoinette, what immediately comes to mind are lace, tall wigs, flamboyant clothes and colours, Versailles, or… the guillotine. Here, between these two extremes, exists a middle ground, a period of time seldom explored: the few months when the last king and queen of France were imprisoned, with their two young children, in a black castle on the outskirts of Paris, awaiting their executions. A brief and condensed period where, amidst violence and harassment, all masks fell off: those of two royals, as public and private figures; that of the old regime; that of a History that finally turned the page; and that of God who, from then on, was eclipsed by the shadows, leaving man entirely alone.
An illegal Filipino entertainer in Japan, Manuel, meets a bankrupt Japanese businessman, Shigeru. After knowing the whereabouts of a high-profile serial killer at large, the two men decide to capture the killer to get a big bounty.
“Close to Me talks about a ‘man who watches’. Luca [Riccardo Scamarcio] is married to Sara [Maria Chiara Giannetta], a woman who’s richer than he is and who recently turned 40 years old. He is a crisis-riddled teacher who, during the lockdown, ends up being a spectator, watching the life of Amanda (Mariela Garriga), his new neighbour. He decides to bridge the gap that separates them, with disastrous consequences.
Since his father found a mysterious package and heard the eerie sounds of an indigenous tribe, ARDI and his family have experienced strange events. SUCIPTO (his father), MARNI (his mother), and ARIF (his younger brother) all fell ill, one by one. Ardi and his younger sister, SYIFA, believe this is the result of a santet (a deadly curse), and they will be the next victims. It is a high-level curse from outside the land of Java, known as Santet Segoro Pitu .
这些是第一次世界大战的年代,斯特凡诺·佐尔齐医生在意大利北部一座大城市的免除诊所度过他的日子。在那里,他不仅照顾从前线屠杀中归来的士兵,还与那些希望被免除服役的人作斗争,这些人通过送他们去军事法庭来进行模拟和自残。斯特凡诺从未想过会遇到一个故意寻求病理的人,就像为了从更大的邪恶中拯救自己而购买救生艇一样。但现在他厌倦了这场使他成为检察官和宪兵的冲突。
朱利奥·法拉迪医生则在一栋偏僻建筑的公寓里工作。他是一个不安分的人,强烈反对战争,对那些在他的“私人战争”中的士兵怀有一种温柔而占有欲的爱。如果斯特凡诺确实尽了最大的努力来治疗士兵并让他们回去战斗,朱利奥则让他们生病,或者帮助他们严重自残,足以被免除服役。这两位医生是大学同学,也是好朋友,他们不仅在专业上暗自较劲,在感情上也是如此:他们都与安娜有联系,她是一位勇敢且性格坚强的护士。但在1918年那场可怕的“西班牙”流感大流行到来之际,爱情、政治和科学交织在一起,危险地纠缠在一起…
陈薇(尹馨 饰)带着女儿(林采洁 饰)为躲避家暴的丈夫住进有自杀胜地之称的蝴蝶大厦后怪事频传。管理员梁伯(冯淬帆 饰)和顶楼的庙公山叔(蔡振南 饰)不断提醒她这一层楼不太干净,如果有能力还是尽快搬走,但是经济拮据的她暂时只能栖身于此。各种三教九流的邻居、杂货铺有阴阳眼的自闭症男孩阿弟(白润音 饰),还有那间被再三交代禁止靠近的613号房,一切都令陈薇感到诡异莫名。外表阳光的代班管理员小梁(曹佑宁 饰)对独立坚强的陈薇照顾有加,经常借故上门帮忙维修家电,陈薇女儿看到他来也会难得露出微笑。正值鬼门开时,蝴蝶大厦内意外频传,甚至发生许多灵异事件,但老住户们似乎已经习以为常。陈薇原本是想带女儿逃离丈夫,不料却将自己卷入更大危机之中...
当本和安妮特的女儿玛蒂尔达在一部电影中与一位光彩夺目的电影明星艾丽西亚共同出演时,本立刻对艾丽西亚产生了迷恋。留在家中照顾婴儿的安妮特,越来越意识到本对艾丽西亚的痴迷,这让她的心理承受到了极限,她拼命努力维持家庭的完整。然而,在朋友证实了她最糟糕的担忧后,安妮特设计了一种方法与艾丽西亚见面,并开始编织一个复杂的网,企图抓住本并揭露他的真面目。
