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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”
影片改编自查克·迪克逊所著同名系列小说,主人公莱文·凯德(杰森·斯坦森 Jason Statham 饰)是黑色行动界的传奇人物,他放弃职业从事建筑工作,想过简单的生活,做女儿的好父亲,而当他老板的十几岁女儿珍妮突然消失后,莱文被召回要求重操旧业。在追踪过程中,莱文卷入到 一个邪恶的犯罪阴谋的中心,产生了连锁反应,将威胁到他的新生活方式。
《雷霆特攻队*》中集结了一支颠覆传统的反英雄团队——“二代黑寡妇”叶莲娜、“冬兵”巴基、“红色守卫”阿列克谢、“幽灵”、“模仿大师”和“美国密探”约翰·沃克。在发现陷入了瓦伦蒂娜设置的死亡陷阱后,这群已不抱有幻想的弃儿必须开始一项危险的任务,迫使他们面对各自最黑暗的过往。这个混乱的“最低配”团队是否会一盘散沙内部瓦解,还是会在为时已晚之前及时完成救赎并团结起来呢?
