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都21世纪了,你还有哪些骚操作没有见过呢?比如仿真娃娃公司,开发出了新的娃娃,十分逼真,可以做你的床伴,在你孤独寂寞时候,给你排忧解难,不管你是多么的饥渴,他或者她都能够让你满足。不管是年轻,中年,或者年老,总有一款让你得到满足。
故事发生在一个叫It的年轻人身上,他居然向一个仿真娃娃Anna求婚,真的是很奇葩吧,而且他还把他与这娃娃的新婚之夜放在网络上面直播,足够疯狂吧,但是糟糕的事情发生了,当他对仿真娃娃说我爱你的时候,异常早已经种下,而且在行床笫之事的时候,娃娃出了故障,娃娃自毁了,It随着电流而被电了,而他自己的鸡儿也被烧焦了,于是网络上,很快#被烧焦的鸡儿上了热搜,冲到了最前面...
随后,他去看医生,遇到的女医生,曾经是他同校的学妹,紧张的他,鸡儿本来不会抬起,却此刻起来了,窘迫的他在医院发生了一系列的事情,到了家,新的护理娃娃也被送到了家,于是发生了一系列搞笑而诡异的事情...
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
源自:https://www.mardelplatafilmfest.com/38/en/pelicula/mimang
