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原本拥有美满生活的拉菲克有一天突然无端发狂,砸烂了办公室并跳出窗外,人们以为他企图自杀。最终拉菲克被捕入狱。四年后,拉菲克刑满出狱,他心里只有一个念头:带儿子去看看他的发现——他一切行为的源头。尽管妻子和岳父极力阻止,他还是从学校带走了儿子。在躲避警察的过程中,他们偶遇了一位牧羊人,并在一座乡间小屋过夜,事情开始变得奇怪了起来……
电影版将延续电视剧剧情,阐述苏家婆婆彩香(钟欣凌饰)在摆脱传统家庭观念的束缚之后,果断展开全新的人生,火寮一哥(许杰辉饰)也为了追求彩香使出浑身解术,但彩香却将重心放在“追星”上,苏家子女们纷纷傻眼,自己的妈妈竟然抛家弃子去跟风追星,还追星追到把明星搞丢而卷入这起明星失踪案,连警察都来关切,苏家再次受到全台的关注议论。
备受关注的小鸥(黄姵嘉饰)和发贵(张书伟饰)“鸥贵CP”,两人的恋情也将在电影版中历经波折,是否有机会能往下发展?秉仁(杨铭威饰)在病愈后和大美(林筳谕饰)的感情进度也可在电影版中一探究竟。
《我的婆婆怎么把OO搞丢了》预计将于2023年农历新年档期上映。
画家皮埃尔·博纳尔有众多缪斯,其中如果没有神秘的玛莎,他就不会成为今天的著名画家。假扮成身败名裂意大利贵族的玛莎,让皮埃尔·博纳尔疯狂迷恋。然而她不知道,自己很快就会成为一部传世巨作的主角。
三个浪漫功能失调的姐妹试图驾驭她们母亲的第三次婚礼:三姐妹回到她们童年的家度过了一个重要的周末——两次丧偶的母亲戴安娜(托马斯)将举办第三次婚礼。这三个女儿来自截然不同的行业:乔治娜(艾米丽·比查姆 Emily Beecham 饰)是一名保守的护士,维多利亚(西耶娜·米勒 Sienna Miller 饰)是好莱坞明星,凯瑟琳(斯嘉丽·约翰逊 Scarlett Johansson 饰)是皇家海军上尉 。周末,一家人聚在一起庆祝新婚,但在一群意想不到的婚礼宾客的协助下,母女们都被迫重新审视过去并面对未来。
Seventeen-year-old Leo has his life together in the high school hierarchy: drunken parties, decent grades, the popular girlfriend; and comes home to the loving bickering only a family can provide. But Leo experiences an identity crisis as he becomes increasingly attracted to his best friend, Boof. His well-groomed facade begins to crack and with every step Leo takes towards embracing his sexuality, he must also overcome the incessant, socialised homophobia of the boy’s locker room. Hopeful and romantic, this is an enticing drama about growing up with your heart stuck in your mouth. Featuring performances from fresh hot talent including Liam Mollica, Luke J. Morgan and a supporting turn from Elias Anton (Of an Age).
Five women are running an old hotel and trying to save it from inexorable decay. Guests arrive over the course of a weekend: a couple bears the wounds of a long-term misunderstanding; a domineering mother interferes in her daughter’s relationship; two girls try to save their own love story in the face of opposition from a possessive mother. Viver Mal is the reverse shot of Mal Viver, which is screening in the Competition: here, João Canijo reveals everything that was floating in the depth of field in this film’s mirror image. Reality becomes the intertwining and multiplication of different points of view; the intersection between what can be seen and what the eye misses. Like a play of light reflections, Viver Mal is Mal Viver in another dimension. The image is distorted, but at the same time seeks a new definition by relaunching itself into infinity.
卡拉·诺瓦克(莉奥妮·贝尼希 Leonie Benesch 饰)是一位敬业且理想主义的年轻教师,在一所德国中学开始了她的第一份工作。可在学校发生一系列偷窃事件后,她与七年级学生之间轻松融洽的关系也受到了压力,一次教职工调查更引发了愤慨的家长、有主见的同事和愤怒的学生之间的互相指责与不信任。卡拉被夹在这些复杂的关系中,她试图进行调解,但她越是想做正确的事,她的处境就越是绝望。
这部影片是对权力关系的一次探究,以真相、正义、种族主义、尊重和儿童权利为主题,展示了个体是如何在种种根深蒂固的立场之间被消磨殆尽。
After a brutal attack, a young nomad named Sira refuses to surrender to her fate without a fight and instead takes a stand against Islamist terror. A feminist counterpoint to current reporting from the Sahel region.
Taka, a shiftless young man, sets off on a quest to find his brother Mune. Teaming up with a quirky new friend and an edgy, mysterious young girl along the way, Taka finds himself taking on a pack of vicious monster cats determined to execute unscrupulous pet shop owners.
一位内向的俄罗斯父亲和十几岁的女儿住在一辆面包车里。面包车装着他们的全部生活,包括一套电影放映设备。那是他们微薄收入的来源。这对无名的父女从南到北,在他们广阔国家的极端气候中漫游。
A Japanese salaryman goes on an unwitting journey of self-discovery when he takes a business trip from Tokyo to a Montana cattle ranch.
A Japanese salaryman goes on an unwitting journey of self-discovery when he takes a business trip from Tokyo to a Montana cattle ranch.
Ewan McGregor impresses in Niclas Larsson's star-studded psychological indie drama based on Jerker Virdborg's novella.
Three siblings converge in a furniture store in the middle of nowhere. Here, their mother, portrayed by Ellen Burstyn, has barricaded herself on a couch. David (McGregor) does his best to diplomatically try to resolve the situation, but the other siblings (Rhys Ifans, Laura Flynn Boyle) seem to take the situation with frustrating nonchalance. And while the mother's stationary position on the couch brings forth Norenesque family conflicts to the surface, the furniture store appears increasingly labyrinthine, and David is chased through a never-ending Kubrickian nightmare with a desperate look in his eyes. Swedish director Niclas Larsson (Vatten, GFF 2013) returns to Gothenburg after a period in international advertising with a charged psychological drama that not only impresses with its star-studded cast.
Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender.
Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.
源自:https://tribecafilm.com/films/eric-larue-2023
Set in 1964, a camera crew follows Willie Pep, retired featherweight boxing champion. Down and out in Hartford CT, married to a woman half his age and with a drug-addled son and mounting debts, Pep decides to make a return to the ring.
Based on the book by LeBron James and the Pulitzer Prize winning author of Friday Night Lights, Buzz Bissinger, Shooting Stars is the inspiring origin story of a basketball superhero, revealing how LeBron James and his childhood friends become the #1 high school team in the country, launching James’s breathtaking career as a four-time NBA Champion, two-time Olympic Gold Medalist and the NBA’s all-time leading scorer.
入围华沙电影节前两部竞赛。
Rebellious teenager Natsumi arrives from Tokyo on a small provincial island in search of the treasure left by her deceased mother. She’s in shock to find out that Reiko – her aunt – is a local Ama-San, a traditional Japanese pearl diver. Reiko is her mother’s identical twin sister. Because of the yearslong conflict between the sisters, the aunt and the girl have never met or even heard about each other till now. The aunt is reluctant to welcome the girl, who reminds her of her bitter past, and wants to get rid of her. Natsumi has to find a way to resolve the old conflict and reunite the family to find the underwater treasure left by her mother and save herself from the big trouble she is in. Japanese 1990s pop songs from the aunt’s youth will be an unexpected ally.
木下家の1日は、遥(河合優実)、妹の祈(根本真陽)そして母・愛子(田中麗奈)による食事の感謝の“祈り”から始まる。教団の教えに反するからと、高校生らしい友との遊びや部活を一切禁じられてきた遥。ある日、同じ教団の信者で同級生の義也とカラオケに繰り出すが、愛子の怒りを買い、やがて学校へ通うことを禁じられてしまう。かつて失敗が多く苦労してきた愛子は、誘惑の多い世界で娘に同じ苦しみを絶対に経験させたくなかった。
家族の中でただ一人信者ではない父・信二(森山未來)は、土日を返上して働いても貧しさから抜け出せず、家族に申し訳ないと感じていた。休みを得られたとある週末、家族みんなで水族館に行く提案をする。やっとかなった、家族のひと時。信二は、愛しい娘たちが「自分が信じる道を生きる」ことを願った。だがそれは、父の最期の愛情となってしまう。遥は父の急死を目の当たりにし、家族よりも神を優先させた母へ怒りをぶつけ、家を飛び出してしまう。一方祈は、孤独になってしまった母を守るため、より強い神への誓いを立てる。
遥が初めて接する、ネオンに包まれた“外”の世界。何をすれば良いか、どこに行けば良いか…混乱する。そして、通りすがりの男に声をかけられる。その男のつながりでキャバクラにて働く道を得た遥は、思いがけず、自分の心に押し込めていたものを噴出させる。それは、神から離れ母と妹を置き去りにしてきた罪の意識であり、遥を強く縛り続けていた。
数年が経ち、祈は変貌を遂げた姉の姿を目撃する。「家から抜け出しても神様が心から居なくならない」と葛藤する遥のつぶやきを聞き、祈は遥の手を包む。姉がようやく吐露できた苦しみに自らの思いを重ね合わせるように。
そして二人は、母のもとへと向かう。子どもたちをお腹に宿した時、その幸せを願ったはずの愛子は、遥と祈を受け入れることができるのか…。
