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After escaping a Russian labor camp, three men must overcome the treacherous wilderness and each other, as their journey home turns into a brutal fight for survival.
逃离俄罗斯劳改营后，三个人必须克服险恶的荒野和彼此间的困难，他们的回家之旅变成了一场残酷的生存之战。
Tridan Lagache a passé sa vie au Club Med, à changer d’amis tous les 8 jours. À 50 ans, il démissionne du club de vacances mexicain où il est né, bien décidé à retrouver, 42 ans plus tard, son grand amour d’enfance, Violette.
Il débarque à Paris, naïf et perdu mais heureux d’être hébergé chez Louis, un demi-frère dont il ignorait l’existence. Pour se débarrasser d’un Tridan encombrant, Louis supplie une de ses conquêtes, Roxane, de se faire passer pour Violette que Tridan croit reconnaître au premier regard.
A recent divorcee's holiday celebration with her adult children derails when she falls for her daughter's charming new boyfriend. A comedy influenced by "The Graduate," told from the perspective of a protagonist inspired by Mrs. Robinson.
Eva has just given birth to her third child but the peaceful air of their happy family is invaded by strange happenings when their twin daughters turn up injured and Eva is being accused for it.
Helen's mundane life at the chicken factory takes an unexpected turn with Joanne's return. They were each other's secret teenage passion. As they fall in love, Helen's zest for life returns but Joanne faces something darker from her past.
Pugh’s musical drama takes off in a chicken factory in industrial north Wales, set to songs from the 1960s and 70s. The debut feature follows a woman stuck in a rut, played by Louise Brealey. Annabel Scholey, Sorcha Cusack, Celyn Jones and Emily Fairn also star. Anne Beresford and Andrew Gillman are producing through Artemisia Films, alongside Adam Partridge of Delta Pictures and Peggy Cafferty of Play House Studios. It is funded by the BFI and Ffilm Cymru Wales, both awarding National Lottery funding, and BBC Film.
在一个风景如画的岛屿度假村，十名年轻女性被一个暴力团伙绑架，准备卖给一个海外客户。在绝望中，一名机智的护士和一名不屈的舞者联手制定了一个大胆的逃生方案。她们必须在荒凉的沙漠中与贩子们展开惊险刺激的对决，为自己的命运而战。
The plot introduces us to a psychologist who suggests to three couples that they engage in a group session, where they will have to analyse each other without her being present. In order to do so, she has left them a number of envelopes containing instructions on the things they have to address. The method she has proposed encourages everyone to share their opinions, argue with each other and reveal their true selves. They are all public prosecutors and defence lawyers; they all interrogate one another, confess, lay themselves bare emotionally, regret the things they have said and toy with provoking the others. It’s a comedy with realistic characters and with a great sense of humour up until the final twist, which will wipe the smile off the audience’s faces because, in an instant, everything will take on a different meaning.
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang
Dragos Binder is doing research in order to write a fiction film based on the true event of his parents fleeing the country in the 80s communist Romania, but then he changes the subject, moving the camera lens on himself.
A boyfriend, who can barely speak English, embarks on an overseas trip with his girlfriend, who takes charge of planning everything and even handles communication on his behalf. However, their journey turns into a nightmare when they barely make it to their accommodation, and strange knocking sounds start emanating from the room. To make matters worse, the girlfriend disappears while taking a shower, and the police immediately suspect the boyfriend. With meticulously crafted initial ominous situations, such as the flight delays, the rental car agency closing its doors, and a major traffic accident experienced shortly after getting into the car, audiences are easily drawn into the protagonist’s intense quest to find his missing girlfriend. Despite the language barrier, he manages to evade the relentless investigation of the local police and skillfully uncovers clues. Unexpected obstacles keep appearing one after another, propelling the story forward without a moment to catch your breath. At the climax of the confusion, when the full truth of the incident is revealed, and viewers are met with a shocking revelation that leaves them gasping in astonishment. (PARK Got)
十六岁的少年赛杜，与深爱的母亲和姊妹同住，家乡日子困苦，唯有玩起音乐时的他，眼里才有光。在表哥的怂恿下，他隐瞒母亲，揣着天真热情，以及偷偷打工攒来的现金，踏上前往欧洲大陆的旅途，深信到了那里，就能一展音乐才华，让家人过上更好的生活。从塞内加尔到利比亚，穿越撒哈拉沙漠行至地中海，这一趟未知的旅程，人心比环境更加险恶。在祖灵的冥冥指引下，他们能否抵达梦想的彼岸？
Janus is a young high school student who dreams of leaving his native countryside ravaged by isolation and alcoholism. His daily life changes when he discovers an artisanal distillery hidden in his grandfather's cellar.
Paris, 1887. Duels have been officially outlawed but are still regular practice. For many, they are the only way to defend their honor. Fencing master Clément Lacaze tries in vain to prevent his nephew from engaging in an uneven duel with the more experienced Colonel Berchère. Marie-Rose Astié de Valsayre, a feminist fighting for women’s equality, tries to show that honor is not just a male affair. Actor and director Vincent Perez’s historical film makes excellent use of various forms of duels – with épées, pistols, and sabres on horseback.
源自：https://www.kviff.com/en/programme/film/63/40763-the-edge-of-the-blade
吉姆·布劳德本特将主演新片[一个人的朝圣](The Unlikely Pilgrimage of Harold Fry，暂译)。希提·麦克唐纳(《正常人》)执导。该片改编自蕾秋·乔伊斯撰写的同名畅销书，讲述哈罗德·弗莱(布劳德本饰)收到20年未见的好友奎妮的一封信，奎妮患了癌症，写信告别。震惊、悲痛之下，哈罗德写了回信，在寄出的路上，他由奎妮想到了自己的人生，经过了一个又一个邮筒，越走越远，最后，他从英国最西南一路走到了最东北，横跨整个英格兰。87天，627英里，只凭一个信念：只要他走，老友就会活下去。
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
Martinez, a lonely accountant who really prizes his daily monotony, is pushed by his hierarchy to retire. While his life stability is threatened, his neighbor, a woman of his age, is found dead in her home after several days. Although he has never met her, her death will make him realize that his life is still ahead of him.
变装皇后Jules遭遇了一次屈辱的反同攻击，人生和事业都被毁掉。而此后，他在同志桑拿遇到了那群攻击者中的一个——深柜Preston。此后，Jules获得了复仇的机会，服装打扮变成男人模样的他相信Preston认不出来自己，于是在搜索了“如何曝光深柜”之后，他慢慢接近对方，开始了一场危险的引诱行动，发现和反击的危险如影随形。
The main characters, Kema and Max, find themselves locked up in this apartment, unable to get out and contact anyone from the living. As they seek escape, they face new obstacles every time - the further, the scarier and more confusing.
