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在20世纪80年代的法国东北部，两个青少年，克洛泰尔 (Clotaire, 弗朗索瓦·西维尔 François Civil 饰) 和雅姬 (Jackie, 阿黛尔·艾克萨勒霍布洛斯 Adèle Exarchopoulos 饰)，尽管他们的社会出身截然不同，仍然深深相爱：她来自一个富裕的家庭，而他则来自工人阶级家庭。他们的爱情注定失败，男孩因此走上犯罪的道路，并被判入狱十二年。出狱后，克洛泰尔决心重新赢回雅姬的心。
讲述了新英格兰一个休闲联赛的最后一场比赛。在他们心爱的球场即将被拆除之前，我们跟随着这群成年人的幽默和隐晦的感伤，比赛持续到加时赛，白昼渐渐消逝为夜幕，标志着一个时代的终结。
年轻的贡嘎和他的表弟巴特在一个废品场里意外发现了一个装满生锈十字架的手提箱。巴特灵机一动，决定将这些十字架改造成霓虹十字架，并逐户向第比利斯的居民推销。他们在城市郊区的漫游因此变成了一场寻找爱情与友情的冒险。
Chosen Family sees Ann, a yoga teacher trying to find inner peace despite the fact her family is manic, and whose dating life is miserable. Ann doesn’t know how to say no and finds herself fixing everyone’s problems. Struggling to repair her estranged relationship with her sister Clio, Ann relies on her friends Roz, Max and Frances to be her rock and guide her through life’s troubling decisions.
「人可生如蚁而美如神」：一班裁制亮丽戏服的中年裁缝慨叹自己生如蚁，一名奥斯卡导演拍出她们美如神的生命。导演邀约一众他热爱的演员，重塑一家高级裁缝工作室色彩斑斓、五味集陈的过往，追忆70年代一班坚毅温柔的女裁缝的故事：表面盛势凌人却细腻体贴的老板、善良却抑郁的妹妹拍档、单纯的寡妇和她的小儿子、偏爱小鲜肉的姨姨、被家暴的妻子、昔日美艳的舞者、逃避通缉的少女⋯⋯一群日常女子抛开小我、互相照顾，照亮平凡生活中超越自我的不平凡，展现她们的独立、爱欲、挣扎和力量。意大利金像奖观众人次最高奖意大利银丝带奖年度电影
Un professore di psicologia ormai in pensione si ritira con sua moglie in una casa in campagna piuttosto isolata. Non tanto le quotidiane, irritanti e indesiderate visite dell'unico vicino, che riesce a trasformare in assillante tortura la pacifica vita quotidiana della coppia. Una quotidianità che si popola di incubi con l'apparizione dell'ancora più grassa consorte dell'uomo.
Sweet Gordon, an affable English teacher in Brooklyn, has beaten the odds; a French Girl has fallen in love with him and he's fallen even harder back. But their future is thrown into limbo when she interviews for an executive chef position in her hometown of Quebec City. To Gordon's dismay her future boss also happens to be her former lover, a celebrity Chef with oceanic eyes and a hit TV show. Good luck Gordon.
刚来到小镇上的警察威尔（希米什·帕特尔 饰）和流氓搭档泰利（约瑟夫·高登-莱维特 饰）在一宗被误认为是入室抢劫的案件中意外发现了一百万美元。殊不知这笔不义之财背后藏着巨大的阴谋，在包括威尔老婆、按摩师、海鲜公司老板等多方周旋下，小镇的生活被彻底颠覆。最终谁才能从这场贪念的迷局中逃离？
Le climat s'emballe, l'économie s'effondre... Stanislas, trader redouté des buildings de La Défense, se retrouve démuni : plus d’eau, plus d’électricité́, plus de connexion, et plus de compte en banque. Sa femme, Sophie, le convainc d’aller trouver refuge avec leur fils à la campagne chez Patrick, un agriculteur dont Stanislas vient juste d’acheter la ferme pour placement financier. Mais Patrick et Constance, sa femme, ont aussi tout perdu avec la crise, et ils n’entendent pas céder leurs terres à ces Parisiens fraichement débarqués sur leur propriété́. Malgré tout ce qui les oppose, ces deux familles vont devoir apprendre à vivre ensemble avec comme seules ressources, celles que la nature offre et ainsi inventer les codes d'un nouveau monde.
马蒂亚斯是其职业中的大师。你需要一个“有文化的男朋友”来给你的朋友们留下深刻印象吗？或者是一个“完美的儿子”来影响你的商业伙伴对你的看法？又或者只是一个陪练伙伴来排演一场争论？不管你需要什么，只要租下马蒂亚斯就行。虽然他在每天扮演不同角色方面表现出色，但做回他自己才是真正的挑战。
“Old White Man” examines the generational and cultural divide in today’s society through the lens of Heinz Hellmich, a middle-aged family man on the verge of losing his job after a series of communication blunders at work. Desperate to prove he’s not just an “old white man,” he invites his boss and guests to a dinner party, aiming to present his family as modern and “woke.” However, chaos ensues as old grievances resurface, unexpected guests arrive, and the conversation spirals through today’s most sensitive issues.
Sweet Gordon, an affable English teacher in Brooklyn, has beaten the odds; a French Girl has fallen in love with him and he's fallen even harder back. But their future is thrown into limbo when she interviews for an executive chef position in her hometown of Quebec City. To Gordon's dismay her future boss also happens to be her former lover, a celebrity Chef with oceanic eyes and a hit TV show. Good luck Gordon.
Nothing is more frightening, as the narrator points out, than a ‘time-rich nosy person’. Exhibit A is Ahn Geo-ul (Gyeong Su-jin), who commits herself to social justice causes with terrifying tenacity. After temporarily renting a unit in the Baek-sae Apartment building, she discovers that a loud, hard to locate banging noise occurs from 4am every night, making the residents’ lives an insomniac hell – and so she determines to engage in her own disruption and to find the culprit of this acoustic assault, simultaneously eliminating her eccentric neighbours as suspects, and recruiting them to her cause.
Focusing on a woman who is an unstoppable force for good, it is also a plea for community cohesion and solidarity.
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