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No bloody slashers have ever before been made in Lithuania. Takashi Miike’s die-hardest fan Jonas Trukanas accomplished his dream and independently created an inventively ripping horror thriller with a minimal budget.
Bewitching from the first minutes, the dynamic chase builds a scary atmosphere of danger, fear and horror, while also clinging to luck and chance. “Be the hunters, not the prey,” the school mistress ironically wishes them on the graduation day, when the damnably awesome classmates follow the tradition of renting a cottage for a weekend to celebrate their graduation. They end up in the middle of nowhere for an ultimate prom party. Unfortunately, they make some terribly wrong and naive mistakes on the way.
There is no mobile coverage there, as you may expect in line with all the unwritten rules. A mysterious masked savage suddenly shows up with the intention of conducting a stylish massacre. One by one, graduates are barbarously punished and axed for cynicism, arrogance, jealousy, debauchery, blackmail, filthiness, hatred, slandering, and gossiping. So many bright hopes, future plans and promising careers destroyed in just one fateful night at an illegal rave. Only shy Marius is destined to survive and turn misfortune to fortune. But why is the ruthlessly slashing serial killer protecting him?
Sparked by local myths and legends (co-written with Titas Laucius, director of “Parade” from the First Feature Competition), inspired by beloved classical slashers and enriched by morbid ironic horror, the film unites whole gang of talented Lithuanian youngsters, led by Gabija Bargalaitė after her immersive debut in “Pilgrims” (Winner of Venetian “Orizzonti”). A small indie gem with hidden easter eggs and uncredited cameos.
源自:https://poff.ee/en/film/pensive/
Somewhere in the Brazilian seaside, teenagers Lucas and Martin fall in love while investigating the disappearance of a local kid. But their blossoming romance is threatened by sinister forces lurking beneath that idyllic summery landscape.
Agnese lives in an isolated house in the middle of the hills. She cultivates her garden in the sunlight and lives a quiet life of routine in the company of a mysterious guest she keeps locked in a room in the darkness of her house.
For decades of using ruqyah to help people, Ustadz Qodrat failed to ruqyah his son, Alif Al-Fatanah, possessed by a demon named Assuala. Looking for answers to his worries, Qodrat returns to the boarding school in the village where he studied. He finds the place is no longer what it used to be, with unexplained disturbances. Qodrat is again faced with the trauma of having to ruqyah Alif Amri, Yasmin's youngest child, whom he cannot refuse because of the similarity of his name to his late son. In a soul-crushing test, Qodrat again faces the fury of Assuala. Qodrat has to choose between obeying his anger or re-finding his faith.
In the early 20th century, is in Lobosandaus, a small town in the raia seca region, on the border between Galicia and Portugal. No sooner has the teacher, played by Tamar Novas (The Mess You Leave Behind), arrived than he senses how mystery and death naturally coexist in the everyday lives of the residents of this stark, rugged place. But the teacher, from his standpoint of rationalism and science, will be confronted by a communal belief held by the local population: that the spirits of the dead can manifest themselves and remain among the residents, as they inhabit other bodies.
