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Five women are running an old hotel and trying to save it from inexorable decay. Guests arrive over the course of a weekend: a couple bears the wounds of a long-term misunderstanding; a domineering mother interferes in her daughter’s relationship; two girls try to save their own love story in the face of opposition from a possessive mother. Viver Mal is the reverse shot of Mal Viver, which is screening in the Competition: here, João Canijo reveals everything that was floating in the depth of field in this film’s mirror image. Reality becomes the intertwining and multiplication of different points of view; the intersection between what can be seen and what the eye misses. Like a play of light reflections, Viver Mal is Mal Viver in another dimension. The image is distorted, but at the same time seeks a new definition by relaunching itself into infinity.
原以为是幸福开端，却是恐惧袭来。
建筑师佩泰跟女友妮嘉，搬到一栋妮嘉继承的老屋，打算展开新生活。妮嘉不知道的是，佩泰暗地里欠了一屁股债，因此迟迟不敢向她求婚，这时，某个潜藏在老屋里的恶灵盯上了为钱所苦的佩泰，打算引出他内心最黑暗的欲望……
Regitze is a little over thirty but still unemployed and single. A hopeless case, thinks her romantic academic father who never came along to tennis practice. Despite the thorny atmosphere, father and daughter are forced to go on a long hike together – which was the last wish of the deceased mother.
