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Shaan, a special force officer, is assigned to investigate a complex human trafficking network in the Southeast Asia region. He uncovers the extensive reach of the trafficking syndicate, revealing connections that challenge his perceptions of law and order. As Shaan delves deeper into the investigation, the timing gets even more critical, as people around him are murdered one by one. He must find the elusive mastermind David behind syndicate before it's too late.
Ilija is a member of the Croatian Defence Council (HVO) somewhere in Central Bosnia in late 1993. One morning, after a routine mine laying campaign, he learns his younger brother Goran was killed far beyond enemy lines, together with eight other soldiers. Through a friend from the secret service, he finds out the mission was an unofficial one and that Goran and the others were acting as mercenaries. Ilija begins to expose a network of illegal activity involving not only the military, but high-ranking officials. As the investigation becomes more dangerous, his original intention to find out the truth slowly turns into a pathological mission of vengeance.
Kaveh Tehrani's coming-of-age film is an adaptation of Gulraiz Sharif's 2020 novel, depicting the increasingly complex summer vacation of 15-year-old Mahmoud. Not only does a sociable uncle from Pakistan visit, but Mahmoud must also navigate the family crisis that unfolds when his little brother Ali has a secret that turns their whole world upside down.
It doesn't take long for the film to set the tone: The protagonist, Mahmoud, almost immediately breaks the fourth wall, seamlessly taking on the role of the narrator. The film doesn't look back: it brims with techniques and devices that inject energy into the narrative and provide a framework for the themes, taking us under the skin of what turns out to be a poignant, thought-provoking family drama – all wrapped in the attractive guise of comedy.
Questions about identity and belonging in Norwegian society (for both young and older characters) within a multicultural family from Oslo become the central driving force. The adaptation of Gulraiz Sharif's book is solidly directed by debut filmmaker Kaveh Tehrani. While the film aims to maintain its entertainment value, it also carries a sharp political edge – directed equally against society's rigid class structures and conservative family traditions. The talented child actors in the lead roles carry the heart of the film on their shoulders, ensuring that few leave the theater untouched in the end.
It’s the late 1990s, and Granada indie music group Los Planetas is about to record their third album. But with the band in turmoil, they find themselves on the brink of success…or total destruction. Can they come together against all odds or collapse in a ball of fire?
Anna, in her late twenties, feels like her life is slipping through her fingers. A ticket to a prestigious music school in Paris might be the perfect last chance to pursue her dream career in piano. Success no longer seems so elusive unless her manipulative, self-destructive alcoholic father stands in her way.
In 1857, child murderer Andries Martiens, is sent into a mine as a punishment for his crimes. His punishment? He must detect dangerous methane leaks by setting them off...personally.
On a ride home from a club, Kristel Lodema confronts tragedy with the sudden death of her father in a freak car accident. In a attempt to learn more about her recently deceased father she travels to Belgium with a group of friends, to pick up her father's last manuscript. Coincidentally, her father used to work in the same mine that Andries Martiens was executed in.
The new tour guide convinces Kristel and her friends to go into the mine for a guided tour. A tour which unleashes a great evil and ends with many, many, grisly murders....including plenty decapitations! Slaughter Night is (as the name suggests) a slasher flick. In all honesty, the film is kinda like a combination of The Descent, and the original Evil Dead....although Slaughter Night isn't as good a film as either of those Horror classics. This is not to say the film is bad, but it's just not anything all that special.
The performances themselves aren't bad, the direction is good. The editing needs some work as many scenes set up without proper introduction, and the killer seems to pop out in too many different areas, far too quickly than is humanly possible. If you can set your brain on vacation, you might come out liking this film.
That being said, let's make this really simple.
If your a fan of trashy horror films, and love watching stupid teens get sliced and diced. You'll love this movie. SL8N8 features some of the most gruesome deaths i've seen on film in recent memory. Boat loads of gore, with little or no hard substance. And if that's your stuff, then don't hesitate and pick this film up! If your looking for a good, solid horror film with character development and a strong plot with strong performances, go watch The Descent or something comparable. Because SL8N8 is NOT a Horror masterpiece by any stretch of the imagination. It's just a fun Slasher Flick with more than it's share of brutal violence.
**I do wish to caution those who might be upset by violence involving young children, because Slaughter Night features a few scenes of grisly violence involving children.** But if you can get past that, check this movie out. it's just a really fun, gory horror film from the Netherlands.
Since his father found a mysterious package and heard the eerie sounds of an indigenous tribe, ARDI and his family have experienced strange events. SUCIPTO (his father), MARNI (his mother), and ARIF (his younger brother) all fell ill, one by one. Ardi and his younger sister, SYIFA, believe this is the result of a santet (a deadly curse), and they will be the next victims. It is a high-level curse from outside the land of Java, known as Santet Segoro Pitu .
