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Five women are running an old hotel and trying to save it from inexorable decay. Guests arrive over the course of a weekend: a couple bears the wounds of a long-term misunderstanding; a domineering mother interferes in her daughter’s relationship; two girls try to save their own love story in the face of opposition from a possessive mother. Viver Mal is the reverse shot of Mal Viver, which is screening in the Competition: here, João Canijo reveals everything that was floating in the depth of field in this film’s mirror image. Reality becomes the intertwining and multiplication of different points of view; the intersection between what can be seen and what the eye misses. Like a play of light reflections, Viver Mal is Mal Viver in another dimension. The image is distorted, but at the same time seeks a new definition by relaunching itself into infinity.
Andrea Absolonová was a talented Czech professional diver with a bright career ahead of her. However, her sports career had been cut short by a spinal injury during a training session at the Atlanta Olympic Games. She then embraced a professional career in the adult entertainment industry, where she became an internationally recognized porn actress. She died at the age of 27.
职业拳击手神山英次在菲律宾试图东山再起，却始终未能获得比赛机会，转眼已至不惑之年。就在此时，长期失联的女儿桃子突然造访，命运的齿轮由此转动。失去母亲后无处可去的桃子，漂洋过海来投奔父亲。 异国菲律宾的屋檐下，这对父女开始了生涩的同居生活。血缘的羁绊难以轻易填补十余年的空白，两人笨拙地摸索着亲子关系的形状。 女儿身上总带着“另一个自己”的影子，这段充满磕绊却暗藏温情的日常，让曾经视野狭隘的神山逐渐学会环视周遭——塬来注视着他的，不止是桃子，还有更多人的目光…… 当比赛机会奇迹般降临，英次为赢得属于他们的容身之处毅然踏上擂台。这部以拳击为背景的作品，最终讲述的是关于“父”与“子”共同成长的生命物语。
卡拉·诺瓦克（莉奥妮·贝尼希 Leonie Benesch 饰）是一位敬业且理想主义的年轻教师，在一所德国中学开始了她的第一份工作。可在学校发生一系列偷窃事件后，她与七年级学生之间轻松融洽的关系也受到了压力，一次教职工调查更引发了愤慨的家长、有主见的同事和愤怒的学生之间的互相指责与不信任。卡拉被夹在这些复杂的关系中，她试图进行调解，但她越是想做正确的事，她的处境就越是绝望。
这部影片是对权力关系的一次探究，以真相、正义、种族主义、尊重和儿童权利为主题，展示了个体是如何在种种根深蒂固的立场之间被消磨殆尽。
入围华沙电影节前两部竞赛。
Rebellious teenager Natsumi arrives from Tokyo on a small provincial island in search of the treasure left by her deceased mother. She’s in shock to find out that Reiko – her aunt – is a local Ama-San, a traditional Japanese pearl diver. Reiko is her mother’s identical twin sister. Because of the yearslong conflict between the sisters, the aunt and the girl have never met or even heard about each other till now. The aunt is reluctant to welcome the girl, who reminds her of her bitter past, and wants to get rid of her. Natsumi has to find a way to resolve the old conflict and reunite the family to find the underwater treasure left by her mother and save herself from the big trouble she is in. Japanese 1990s pop songs from the aunt’s youth will be an unexpected ally.
Written by Anaïs Tellenne, the story revolves around the character of Raphaël. Nearing sixty with a blind eye and an imposing physique, he’s well aware that people are afraid of him. He lives with his mother in a detached house located on a vast estate attached to the manor house of which he is the caretaker. He’s been leading a tranquil life since the owners passed away, but everything changes one night when their heir, Garance, returns to the family home…
プロボクサーの神山英次は、フィリピンで再起を図っていたが、試合は組まれず、40歳を迎えた。そんな神山の元に、長く音信不通であった娘、桃子が訪ねてきたことから、物語の歯車は回り始める。妻の死に、居場所をなくした桃子は、神山を頼り、海を越えてきたのだ。 長く離れていた二人の距離が簡単に埋まるはずもない。 異国の地フィリピンで始まったぎこちない共同生活、二人は親子の形を模索する。 どこかに「もう一人の自分」を感じさせる娘との、ぎこちなくも、優しさを感じる日々。 視野が狭かった神山も、次第に周りを見渡すことができるようになっていく。 桃子だけではない。そこには、まわりの人たちの眼差しがあった・・・ そんな中、奇跡的に試合が組まれ、英次は自分たちの居場所を手に入れるために戦う決意をする。この物語は、ボクシングを背景に、「親」、「子」の成長と存在を描く。
