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珍妮曾被誉为“钢琴天才”,但她因冤案而被判入狱15年。当她遇到有歌唱天赋的叙利亚战争难民奥马尔时,她同意在电视音乐选秀节目中为他弹钢琴伴奏。在她的牢狱生活期间,她的初恋弗莱舍成为了一名流行歌星,并担任了音乐选秀比赛的评委,而珍妮和奥马尔则是其中很有望胜出的选手之一。在狱中度过这些痛苦的岁月后,现在是珍妮做出选择的时刻:是报复,还是幸福和未来?
故事发生在1990年夏天前东德图林根州附近的乡村。即将年满19岁的玛丽亚和男友约翰内斯住在约翰内斯父母的农场里,她宁愿沉浸在书本中,也不愿专注于毕业。随着德国的统一,人们有一种新时代来临的感觉。 当玛丽亚遇到住在隔壁的农民亨纳时,玛丽亚与这个比她年龄大一倍、任性、有魅力的男人燃起强烈的激情。在充满未知的气氛中,爱情诞生了:一种充满渴望和欲望的秘密激情,吞噬了前进道路上的一切。
画家皮埃尔·博纳尔有众多缪斯,其中如果没有神秘的玛莎,他就不会成为今天的著名画家。假扮成身败名裂意大利贵族的玛莎,让皮埃尔·博纳尔疯狂迷恋。然而她不知道,自己很快就会成为一部传世巨作的主角。
Ewan McGregor impresses in Niclas Larsson's star-studded psychological indie drama based on Jerker Virdborg's novella.
Three siblings converge in a furniture store in the middle of nowhere. Here, their mother, portrayed by Ellen Burstyn, has barricaded herself on a couch. David (McGregor) does his best to diplomatically try to resolve the situation, but the other siblings (Rhys Ifans, Laura Flynn Boyle) seem to take the situation with frustrating nonchalance. And while the mother's stationary position on the couch brings forth Norenesque family conflicts to the surface, the furniture store appears increasingly labyrinthine, and David is chased through a never-ending Kubrickian nightmare with a desperate look in his eyes. Swedish director Niclas Larsson (Vatten, GFF 2013) returns to Gothenburg after a period in international advertising with a charged psychological drama that not only impresses with its star-studded cast.
Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender.
Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.
源自:https://tribecafilm.com/films/eric-larue-2023
After a brutal attack, a young nomad named Sira refuses to surrender to her fate without a fight and instead takes a stand against Islamist terror. A feminist counterpoint to current reporting from the Sahel region.
