影片库
影片库为你选出部影片
影片讲述向东(吴宇森)、向明(尹扬明)两个兄弟偷渡到港、闯荡新世界的经历。没有更多成长体验的观众对影片的灰暗基调和伤感主题可能不感兴趣,片中有关内地生活的冷酷描写也没有任何“观赏性”可言,作为一部香港电影,她显得极度不正常,但2004年读到这部拍摄于1990年电影,我们分明嗅到了史诗的味道。编剧南燕,由《监狱风云》到《学校风云》,所走的正是从商业中逃离的路线,《勇闯天下》第一次把视野放到港外,环境对人的压迫力更加沉重,因为表达相对自由,对陈旧体制的批判反比内地历史事件亲历者在统治阶层容许范围内做出的反省更具力度,灰色的北京,作为压在心头的影像,可以将《东宫西宫》、《蓝宇》比下去,仅仅因为这个,本片就非看不可,何况还有英雄导演吴宇森?在《英雄本色》、《辣手神探》中,我们总是嫌他戏份太少,这回不必失望了。
As the youngest child who has never known her mother, Tasya (Gabriella Quinlynn) feels lonely. Unintentionally she watched an old videotape owned by his father, Ferdi (Lukman Sardi), who had communicated with her mother's deceased spirit using Jailangkung. Tasya assembles her own Jailangkung and plays it in hopes of communicating with her deceased mother. This incident apparently raised various problems, including a catastrophic spirit. Bella (Amanda Rawles) and Rama (Jefri Nichol) join their new partner, Bram (Naufal Samudra), on an adventure to the bottom of the sea to defeat the demon incarnation that rules Angel (Hannah Al Rasyid) and takes Tasya to the occult.
小学生张蚂蚱(刘韫涛)家邻公安警犬训练基地,没事同表弟二秃爬上树盯看公安训练警犬时,两人爱上了凶猛、聪明的狼犬“黑狮”,并想法令它与家犬“山虎”配种。不久,“黑狮”在执行任务中死亡,“山虎”产下“公主”、“狼牙”一雌一雄两只狼犬,被蚂蚱视作珍宝。渐渐长大的两只狼犬威风堪比父亲。
暑假到来,蚂蚱带上两只狼犬进城看姐姐张菊(石荣),准备顺便给它们领犬证。公交车上,售票员偷走某乘客现金若干,塞进蚂蚱的书包。张菊发现蚂蚱书包里的钱后,将蚂蚱盘问一番,没问出个所以然,拿去私用,不久,张菊遭遇祸事,被盗窃集团头目段飞(刘廷尧)威逼,蚂蚱找寻姐姐的过程中,两只狼犬派上用途,一路惊险,却帮上公安尤其打入盗窃集团内部的牛伍(张志忠)的大忙,但悲事在皆大欢喜一刻发生。
露丝(刘玉玲 饰)和丈夫克里斯(克里斯·苏利文 饰)带着儿子泰勒(艾迪·马代 饰)和女儿克洛伊(卡莉娜·梁 饰),一家四口一起搬进郊区一处新家。克洛伊因为失去挚友而陷入悲伤,同时又常因为和哥哥不合引发争执,加上妈妈对哥哥的偏爱,让她感到无依无靠。来到新家之后,她默默感受到这个家中, 似乎有股诡异的灵异力量存在,而这股力量从一开始就围绕在她身边,并逐渐转移至影响整个家庭,让这家人必须搞清楚,这股神秘力量究竟想要告诉他们什么。
In 1857, child murderer Andries Martiens, is sent into a mine as a punishment for his crimes. His punishment? He must detect dangerous methane leaks by setting them off...personally.
On a ride home from a club, Kristel Lodema confronts tragedy with the sudden death of her father in a freak car accident. In a attempt to learn more about her recently deceased father she travels to Belgium with a group of friends, to pick up her father's last manuscript. Coincidentally, her father used to work in the same mine that Andries Martiens was executed in.
The new tour guide convinces Kristel and her friends to go into the mine for a guided tour. A tour which unleashes a great evil and ends with many, many, grisly murders....including plenty decapitations! Slaughter Night is (as the name suggests) a slasher flick. In all honesty, the film is kinda like a combination of The Descent, and the original Evil Dead....although Slaughter Night isn't as good a film as either of those Horror classics. This is not to say the film is bad, but it's just not anything all that special.
The performances themselves aren't bad, the direction is good. The editing needs some work as many scenes set up without proper introduction, and the killer seems to pop out in too many different areas, far too quickly than is humanly possible. If you can set your brain on vacation, you might come out liking this film.
That being said, let's make this really simple.
If your a fan of trashy horror films, and love watching stupid teens get sliced and diced. You'll love this movie. SL8N8 features some of the most gruesome deaths i've seen on film in recent memory. Boat loads of gore, with little or no hard substance. And if that's your stuff, then don't hesitate and pick this film up! If your looking for a good, solid horror film with character development and a strong plot with strong performances, go watch The Descent or something comparable. Because SL8N8 is NOT a Horror masterpiece by any stretch of the imagination. It's just a fun Slasher Flick with more than it's share of brutal violence.
**I do wish to caution those who might be upset by violence involving young children, because Slaughter Night features a few scenes of grisly violence involving children.** But if you can get past that, check this movie out. it's just a really fun, gory horror film from the Netherlands.
一对居住在高档公寓的富有的年轻夫妇与邻家住棚户房的中年夫妇有着完全不同的生活理念和生活方式,但他们却都面临着严重的的亲密关系问题,在如何解决这一问题上,他们竟然达成了类似的共识——引入第三个人,看似“畸形”的两个家庭在一定程度和一段时间内形成了某种平衡。当然,这种极度危险的平衡随时都可能会被打破......(華堅馮力士)
苏莱曼骑着单车穿梭巴黎街头,用非法包商的人头帐号跑外送,一边喃喃地背诵着不属于自己的人生故事。四十八小时后,他必须用这个掮客编造的过去说服移民官,方能获得居留。然而这一夜,接单状况不断,工资还遭到扣留,交不出钱给掮客就无法拿到庇护申请文件。陷入绝境的苏莱曼,移民面试能否顺利通过?从几内亚远渡重洋来到法国,他的人生故事又是什么?
一宗離奇失蹤案,讓山叔(許紹雄飾)痛失了愛妻山嫂,也讓張以靜(高海寧飾)自小沒了母愛。山叔本是一名鎖匠,經營一家名為《誠信》的鎖店,卻因為這場意外失智了。他隨後收了一位愛徒程浩仁(姜皓文飾)。阿仁接班了山叔的好手藝,精通開鎖,甚至青出於藍。正因為他的這一手好功夫,經常被警察找去幫忙開鎖的他也因此和警探劉業信(黃浩然飾)變成了好友。至今阿仁從未遇見他開不了的鎖。一直到有一次的開鎖工作中,他碰見了多年沒見的老友李全凱(陳沛江飾)。自此,接二連三的怪事陸續發生,阿仁在回家途中無意間聽見新搬來的鄰居關小姐(黃詩棋飾)吹起了耳熟能詳的口琴旋律。不曾見過關小姐的阿仁開始對關小姐產生好奇並偷偷監視著她。與此同時透過以靜,得知當年山嫂的撲索迷離案,並不單純,極有可能與關小姐的出現有關。結果阿仁又在某次的開鎖工作中撞見了一宗謀殺案,因而被劉sir視為頭號嫌疑犯。
究竟阿仁在隱藏著什麼?阿仁是不是遇見了一把他怎麼樣都解不開的鎖?那首不寒而慄的口琴旋律,阿凱的出現,山嫂的死,這把打不開的鎖到底背後捲入了多少人?警探劉sir有沒有機會幫助自己的好友擺脫嫌疑?難道每個人心中真有一把鎖,每一道門的背後都有許許多多未知的故事在等著我們......
作家米娅与单身父亲埃米尔相爱后,两人为了要孩子接受了生育治疗,他们的幸福生活也因此受到了考验。
意大利资深导演乔治奥·迪里蒂继传记片《我想藏起来》入围柏林国际电影节主竞赛单元后,其新作《卢博》又入围威尼斯国际电影节主竞赛单元。影片主人公卢博以街头卖艺为生,他是游牧民族的成员。1939年,卢博加入瑞士军队服兵役保卫边境,但随后他的孩子们却被带走接受国家“再教育计划”,卢博意识到只有找回孩子才能获得真正的平静……影片以漫长的冒险旅程和大量细节揭示了主人公追索自由之艰辛。
年轻的音乐人维诺拉(汉娜·奥登伯格 Hanna Oldenburg 饰)被工作压得身心疲惫,于是从紧张的行程中抽身,躲到了经纪人为她在偏僻乡村租的房子里休息。这所房子地处山间,且老旧破败,维诺拉百无聊赖去酒馆散心,并邂逅了当年的男友瑞克(帕特里克·塞克斯 Patrick Saxe 饰)及其朋友卡尔(Andreas Rylander 饰)、莉丝(Elin Hugoson 饰)。她热情地邀请瑞克等人来房子作客,四个年轻人相谈甚欢,全然不知接下来将发生的事情。
夜深人静,阴沉的脚步声开始在房间内响起,卡尔和莉丝接连遭遇血腥屠杀,久别重逢的维诺拉和瑞克却全然不知夜晚发生的事情。食人恶魔的脚步渐渐逼向了他们……
在第12部故事片中,艾曼纽·莫雷特(Emmanuel Mouret)展示了三个有着不同态度和道德观念的亲密女性之间的爱情变化,她们捍卫自己的观点,主张自己的爱情选择。乔安娜离开了女儿的父亲维克多。尽管她相信自己的决定在道德上是正确的,但她还是忍受着可怕的后果。他最好的朋友桑德琳提倡一种理性的婚姻,一种没有爱但充满温柔的关系。与此同时,乔安娜的妹妹丽贝卡相信爱情是一种冒险,并与桑德琳的伴侣保持着一段秘密关系。
With a sense of duty and iron toughness, the Burgundian weapon master Hagen von Tronje holds the crisis-ridden kingdom together. In doing so, he suppresses his secret love for the king's daughter Kriemhild and represses his own dark past. When the legendary dragon slayer Siegfried of Xanten appears in Worms and threatens the old structures with his unpredictable nature, Hagen progressively turns into a tragic figure. The fantasy film is a new interpretation of the Nibelung saga and captivates with its fantastic scenery and brilliantly choreographed combat scenes.
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.
